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The price is worth it
Acher
Boulevard d'Avroy 28-30
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TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
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V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
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Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
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La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
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Cityscape
Sarah Lauwers
29 Rue de l'Université
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Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Vapeurs
Eva Mancuso
5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Actions !
Maxence Mathieu
56 Rue Saint-Gilles
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On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
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Travel Local, Buy Local
Oya
107 Féronstrée
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Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
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22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
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Chronique florale
Ionut Popa
101 Féronstrée
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The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
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Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
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Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
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Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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Kung Fu du Samouraï
#10
Samuel Cariaux
Curator : Bertrand Léonard
2296 Rue du Palais
There is a sort of discrepancy, a contrast between the eccentric universe of Samuel and the solemn side of his creative approach. Like the samurai, one of the major figures in his pantheon, he applies rigor to his work, meticulousness in the management of his environment. He needs to appropriate his space to the point of making it his sanctuary in the center of which he reigns, imperturbable. However, he welcomes each visitor with a smile, proud of the interest he arouses. He takes real pleasure in presenting his work to him, citing his sources of inspiration, guiding him through this structured and abundant pavilion.
We quickly understand his attraction to the sacred and mythological universe. From Japan, where he travelled twice, he reproduces calligraphy, kimonos, temples, buddhas, dragons, samurai or even geishas. He likes sexy and provocative women, with a rock’n’roll attitude and passion in their kisses. […]
Samuel also expresses this obvious attraction for extravagance, pop culture and his idols in a textile version. He revamps salvaged clothing to his tastes through brief stylistic interventions and above all through the design of his favorite subjects. […] This total commitment has made him one of the figureheads of the Créahm, a singular personality who has not ceased to amaze us.