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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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La constellation du navire Argo
#14
Sarah Illouz & Marius Escande
Artist selected as part of the open call
331Hôtel de la Cour de Londres 40 Rue Hors-Château
For Art au Centre, Sarah Illouz and Marius Escande present a new version of their installation : La constellation du navire Argo, navigating between traditional and contemporary mythologies. It stems from a reflection on Robert Graves’ book The Golden Fleece, which confronts various accounts of the ancient myth of Jason and the Argonauts.
According to the authors recounting the legend of the Golden Fleece, it possesses a gleam of gold or purple, serving as a symbol of immortality enveloping its possessor in a vibrant radiance. On these purple curtains, a constellation made of food represents the ship of the Argonauts. These food items echo the cornucopia, a legendary object shaped like a ruminant’s horn, or a triton shell used by Pluto, the Greek god of wealth and abundance. It is often depicted brimming with fruits, as well as milk, honey and other sweet foods. It symbolizes an inexhaustible source of blessings.
Here, the plastic food items have been chewed by two generations, and the textile comes from Nona source, a company dedicated to revaluing dormant stocks. Abundance is a myth, “as an imaginary resource and a source of understanding our inconsistency and madness, and as a tool available to every human community, battered by globalization, to reinvent itself[1].”
As a duo, the artists design installations, devices, ways of living, connecting, and thinking together, ways of dwelling and learning with others and locally. They explore ancestral techniques, their evolutions and their histories.