-
Histoires simples
Léopold Mottet 1 students
107 Féronstrée
-
Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
-
Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
-
Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
-
La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
-
MANTERO
Santiago Vélez
4 Rue de la Cathédrale
-
Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
-
ST END
Pablo Perez
10 Rue Nagelmackers
-
ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
-
Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
-
Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
-
precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
-
S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
-
Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
-
Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
-
Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
-
Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
-
Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
-
Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
-
COMMENT
Kim Bradford
16 Rue du Palais
-
Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
-
L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
-
Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
Warning: Undefined array key "current_expo" in /var/www/clients/client3/web4/web/wp-content/themes/artaucentre/loop/vitrine.php on line 25

WELCOMCOM
#13
Ondine Bertin
Artist selected as part of the open call
3044 Rue de la Cathédrale
When the headlights of a car disturb the darkness, we see behind the window a multitude of glowing eyes, all focused on the street. Distressing and fleeting glances that disappear once the light fades away.
WELCOMCOM offers an absurd and ambiguous story where the window becomes the scene of a silent party. The characters, a group of strange humanoids, seem to be awaiting, motionless, the arrival of a passerby. In their fixed smile, their intention remains ambiguous. Is it an invitation to join them or a well-designed trap?
The title WELCOMCOM refers as much to a welcome message as to an invitation to participate in their “ComCom” (the “communauté de commune” refers in France to the alliance of towns or villages in an approach of solidarity regrouping, often nicknamed “ComComs”). The window then becomes a portal to an unknown elsewhere and plunges us into a village party with bare houses where the moon and the lamppost merge.
A game of gaze is created with passers-by, who find themselves observed by the occupants of the shop window and disturbs the usual one-sided gaze of the window space.
Ondine Bertin displays a composite plastic universe in the form of hybrid spaces in which past, present and future intertwine and where reality and dreams coexist. Through absurd archaeology, she combines oneirism with contemporary art. This 2021 Brest Beaux Arts graduate develops a multidisciplinary practice at the crossroads of painting, sculpture and installation.