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Cristina Mirabilis
Academy of Fine Arts of Catane
137-139 En Féronstrée
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SpringMerz
Marion Voegelé
31a Rue de la Cathédrale
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Wafel de Liège
Jannes Lambrecht & Mirthe Vermunicht
100 Rue Saint-Gilles
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Signing To A Spitting Image
Rémie Vanderhaegen
6 Rue Gérardrie
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A Fragile Relationship In A Sturdy Façade
Jeannette Slütter
11 Rue de Bex
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Chambre, vue
Pierre-Alain Poirier
14 Rue de la Sirène
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Midnight Leaves
Bettina Marx
28-30 Boulevard d'Avroy
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Gravats
Lucile Marsaux & Théo Philippot
107 En Féronstrée
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Ambient, Aberrant
Sonia Mangiapane
7b Rue des Carmes
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Avis de tempête
Camille Lemille
159 En Féronstrée
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An Enchanted Break
Cristina Lavosi
9 Rue de la Violette
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Du béton du métal dont sont faites vos parois
Anaïs Lapel
1 En Féronstrée
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Cathédrale
Axel Janssen
16 Rue du Palais
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Always Stuff, Four Blue Office Chairs
Gilles Hellemans
32 Rue de la Régence
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Figure
Bruce Formanoie
100 Rue de la Cathédrale
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Étendue 02
Elisa Florimond
85 Rue de la Cathédrale
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L’été sera brûlant
Sarah Feuillas
3 Rue de la Cathédrale
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No, no ! Only as fast as possible without stress
Jan Duerinck
44 Rue Saint-Gilles
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Carpeaux
Patrick Corillon
25 Rue Saint Paul
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Traveling Tales
Tamuna Chabashvili
40 Rue Hors-Château
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Double exposition
Bertrand Cavalier & Fabien Silvestre Suzor
31b Rue de la Cathédrale
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WELCOMCOM
Ondine Bertin
4 Rue de la Cathédrale
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Leakage
Yasmina Assbane
5 Rue Chéravoie
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Onsite Website : The Official Emoji Shop
Éloïse Alliguié
29 Rue de l'Université
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WELCOMCOM
#13
Ondine Bertin
Artist selected as part of the open call
3044 Rue de la Cathédrale
When the headlights of a car disturb the darkness, we see behind the window a multitude of glowing eyes, all focused on the street. Distressing and fleeting glances that disappear once the light fades away.
WELCOMCOM offers an absurd and ambiguous story where the window becomes the scene of a silent party. The characters, a group of strange humanoids, seem to be awaiting, motionless, the arrival of a passerby. In their fixed smile, their intention remains ambiguous. Is it an invitation to join them or a well-designed trap?
The title WELCOMCOM refers as much to a welcome message as to an invitation to participate in their “ComCom” (the “communauté de commune” refers in France to the alliance of towns or villages in an approach of solidarity regrouping, often nicknamed “ComComs”). The window then becomes a portal to an unknown elsewhere and plunges us into a village party with bare houses where the moon and the lamppost merge.
A game of gaze is created with passers-by, who find themselves observed by the occupants of the shop window and disturbs the usual one-sided gaze of the window space.
Ondine Bertin displays a composite plastic universe in the form of hybrid spaces in which past, present and future intertwine and where reality and dreams coexist. Through absurd archaeology, she combines oneirism with contemporary art. This 2021 Brest Beaux Arts graduate develops a multidisciplinary practice at the crossroads of painting, sculpture and installation.