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The price is worth it
Acher
Boulevard d'Avroy 28-30
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TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
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V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
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Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
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La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
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Cityscape
Sarah Lauwers
29 Rue de l'Université
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Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Vapeurs
Eva Mancuso
5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Actions !
Maxence Mathieu
56 Rue Saint-Gilles
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On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
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Travel Local, Buy Local
Oya
107 Féronstrée
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Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
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22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
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Chronique florale
Ionut Popa
101 Féronstrée
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The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
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Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
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Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
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Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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PARENTHOOD AND OTHER QUESTIONS QUITTING SMOKING
#6
Mike Bourscheid
Curators : Saryna Nyssen & Alix Nyssen
126116 En Féronstrée
« Structured around sculpture and performance, Mike Bourscheid’s artistic practice, which often involves the creation of appendixes and unkind prosthesis, combines singular characters and their indecisive sexuality with rude humor to explore his Luxembourg origins and probe the absurdities of normative masculinity and patriarchal power. […] The approach of the artist consists in appropriating the various competences that are necessary to the accomplishment of his work. […] This approach is a key element of his practice as it gives him a means to question and foil the stereotypes of masculine or feminine work (a division of tasks that he could observe very quickly thanks to his parents : his mother was a dressmaker and his father was a welder). »*
The artworks selected for Art au Centre #6 also highlight these gender issues with a fluid vision of masculinity where emphasis is given to tenderness, softness and vulnerability. The image of the body is at the heart of these identity and ontological questionings. Like puppets, extensions of himself or someone else, the gloves with silky hair – carefully hand-stitched by the artist – refer to this will to deconstruct the normative injunctions and to feel the perception of oneself and the world. In Quitting Smoking, the eyes and the noses are made of handmade glass pearls. Positioning oneself as to whisper in someone’s ear, it is possible for two people to share a cigarette. The smoke will be forever inlayed into the fabric due to its smell and the fading.
* KWAN, Vanessa and PHILLIPS, Kimberly, Writing through melancholy. To someplace else, in Unwilling (a Companion), Haverford, Cantor Fitzgerald Gallery, 2018, p. 24 (translation : Patrick Kremer).