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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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Quatre Mains / Zonder Handen
#16
Stephanie Lamoline
Artist selected as part of the open call.
387107 Féronstrée
Stephanie Lamoline’s Quatre Mains/Zonder Handen is a deeply personal project inspired by the sudden loss of her father. It explores a complex relationship, reflecting on memory, grief, and transformation through the items and photographs he left behind.
The project began when Stephanie discovered a box of Polaroids while clearing out her father’s house. Taken in the 1990s, these photographs captured railway sites where he had worked as an engineer. Moved by these images, she began to create her own photographs using belongings she found in his home. These new constructions were deliberately simple and unmanipulated, allowing the materials to maintain their raw integrity.
The series was eventually published as a two-volume book, combining her father’s Polaroids with her own small-scale installations. This juxtaposition created a subtle conversation between father and daughter. The title of the book, Quatre Mains/Zonder Handen, reflects this relationship. The first part evokes the idea of a four-handed piano duet asking whether it is possible to create harmony with someone who is no longer there. The second part, “Zonder Handen” (Hands Free), recalls the independence of a child declaring, “Look, I can do it without hands!”
The two prints on display, Subtle Recollections of a Joyful Delight and Domino Dancing, are part of this larger series. They showcase Stephanie’s tactile, hands-on approach to photography. In Domino Dancing, rocks illuminated by construction site traffic lights take on vibrant hues of red and green,giving the ordinary a new, unexpected quality. In Subtle Recollections of a Joyful Delight, the dusty reflections of a skylight fall over a flip-flop suspended between a wall and nylon thread, creating a moment of quiet suspension and reflection.
These works highlight the physicality of Stephanie’s process while remaining deeply connected to the themes explored in the book. Quatre Mains/Zonder Handen bridges two lives, two ways of seeing, and creates a unique, transcendent exchange between father and daughter.