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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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TO DO
#14
Hilal Aydoğdu
Artist selected as part of the open call
327100 Rue Saint-Gilles
To do:
□ to be his right fit
□ fulfill all his needs
□ show audacity
□ be able to manage his states of anxiety
□ bend over backward for him
□ step aside when you’re not useful
□ do housework = be his servant
□ be able to show 1% courage and 99% self-sacrifice
□ …
To do is the list of things to do to satisfy the needs of one’s husband and to forget one’s own.
The window allows us to gaze upon one of the most intimate spaces. The space of our social constructs, our childhood dreams or our nightmares as women, the bedroom.
Hilal Aydoğdu, with a master’s degree in drawing from the Fine Arts of Liège, has had several years of experience in performance art, further developed at La Cambre in Brussels.
Her artistic approach primarily aims to question the place of women within a male-dominated world. She proposes to engage with the mechanisms that work to establish a deleterious hegemony (namely, patriarchy) primarily through culture, by exploring the morbid lexicon of values and injunctions it conveys: honor, virginity, obedience.