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The price is worth it
Acher
Boulevard d'Avroy 28-30
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TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
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V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
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Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
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La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
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Cityscape
Sarah Lauwers
29 Rue de l'Université
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Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Vapeurs
Eva Mancuso
5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Actions !
Maxence Mathieu
56 Rue Saint-Gilles
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On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
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Travel Local, Buy Local
Oya
107 Féronstrée
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Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
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22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
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Chronique florale
Ionut Popa
101 Féronstrée
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The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
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Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
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Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
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Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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VAGUES DU RÉEL, SOUS VERRE
#4
Amalia Laurent
Open call
824 Rue de la Cathédrale
Amalia Laurent proposes to bring out the dream place, a place that was hiding behind the visible. She thus carries the visitor into a state of awake daydream and the scenery, almost warped by dint of being used, slips away facing the woodland paintings that the look meets. It is a question of drawing a fleeting interval, unveiling the fragility of the space as we live it : almost always engraved in a time that the artist enjoys suspending. The artwork takes place on the edge of fantasy that it arouses : we imagine the artist working on his batiks according to the Javanese tradition in the middle of the trees that inspired her motifs, but also on the edge of a more worrying perspective, the perspective of only finding a desert behind the windows half open on the cold and grey tiles of the window, in other words, of being confronted with the risk of seeing nothing else than what’s detected by our senses.
Amalia Laurent works in situ in this abandoned and transitional space and seizes the parallel worlds that she is used to manipulate to create a visual illusion. She thus tries to give a meaning to her dreams of desert and genesis, to the absence of the places that could have existed and to the parallel dimensions that might be existing. She distorts a so called « objective » cliché to question the limits of space and to take advantage of the ambiguity of the volumes that are specific to the trompe-l’œil. A touch of melancholy anyway blows on this dream of enhanced reality : passersby have direct access to the Javanese traditions that she loves, to the trees that animate her and to the desert that she sketches. There would be a pact made with the silence and the anxiety in the vicinity of art.