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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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VEILLEUSE
#5
Amélie Scotta
Curator : Thibaut Wauthion
11431b Rue de la Cathédrale
Amélie Scotta’s architectures directly question our housing conditions and the town planning that results from it, in other words, our life within a neighborhood, a community and overall a society. Moreover, the metropolitan trend towards verticality and monumentality represents an intrinsic feature of her work. As these architectures whose top gets away from the ground to better caress the sky in proportions that are always more significant, the drawings and photographs of the artist focus on this notion of infinity by questioning the technical and ethical limits of humanity. How far will we go ? What height will we reach to develop always denser and more unbearable towns ? Our lifestyle, the way we surround ourselves, the way we cram is questioned through these artworks.
« Veilleuse is an installation that gives prominence to the line, the line of the horizon standing out between the buildings, the lines of our architectures and our cities in constant development. It also evokes the connection between modern metropolis and the night. Constantly in standby mode, we live in a world where darkness and night vision become scarce to make room for permanent daylight. The title Veilleuse, a small lamp constantly lit, echoes our ancestral fear of the dark and heights, forcing us to agglutinate, to build and to light up always more. It also refers to the comforting little blue flame kept to launch our devices. Combining photography and drawing, the installation spreads out on various plans : the wall, the window and the space that connects them. Shades of black and blue dominate, but so do the effects of transfer, transparence and vacuum construction.
(Amélie Scotta)