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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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STATIONS
#9
Apolline Ducrocq
Open call
20750 En Féronstrée
As a repairperson, researcher and collector, my work gravitates around sculpture, assemblage, photography and installation. I see creation as a construction, as a way to give birth to forms from a ground or a story. I am interested in materials, shapes, dimensions, questions of scale but also their positions in a space.
Often, places in perpetual movement such as lands or construction sites are spaces that appeal to me. Movement has a very important place in my work. The materials I use are often raw materials that tell a story. They are usually taken from buildings under renovation, urban wastelands, demolition sites and sometimes even during trips…
For this ninth edition of Art au Centre, I created Stations, which is a dialogue of forms resulting from an encounter with a pile of cars, a shower cubicle being demolished and a pile of sandstone tile rubble…
The tiling has an important place in this fixed space, it suggests mobility by its omnipresence in spaces of passage and underlines, through photography, the multiple displacements made by the works that I have been able to carry out or the forced immobility of its wandering forms.
The fleeting presented forms speak of movements such as the passage of people in a metro station, a gas station, a car wash… Through the glass, these sculptures offer a look at frozen moments filled with a future that just wants to move.

