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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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STATIONS
#9
Apolline Ducrocq
Open call
20750 En Féronstrée
As a repairperson, researcher and collector, my work gravitates around sculpture, assemblage, photography and installation. I see creation as a construction, as a way to give birth to forms from a ground or a story. I am interested in materials, shapes, dimensions, questions of scale but also their positions in a space.
Often, places in perpetual movement such as lands or construction sites are spaces that appeal to me. Movement has a very important place in my work. The materials I use are often raw materials that tell a story. They are usually taken from buildings under renovation, urban wastelands, demolition sites and sometimes even during trips…
For this ninth edition of Art au Centre, I created Stations, which is a dialogue of forms resulting from an encounter with a pile of cars, a shower cubicle being demolished and a pile of sandstone tile rubble…
The tiling has an important place in this fixed space, it suggests mobility by its omnipresence in spaces of passage and underlines, through photography, the multiple displacements made by the works that I have been able to carry out or the forced immobility of its wandering forms.
The fleeting presented forms speak of movements such as the passage of people in a metro station, a gas station, a car wash… Through the glass, these sculptures offer a look at frozen moments filled with a future that just wants to move.

