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Around The Corner
Zena Van den Block
35 Rue Souverain Pont
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VMC gargouilles
Thomas Sindicas
31b Rue de la Cathédrale
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Kodomo No Kuni
Mey Semtati
18 Rue de l'Etuve
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The Faces Collection
Anna Safiatou Touré
16 Rue du Palais
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QuickSnap
Camille Poitevin
40 Rue Hors-Château
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P.O.F
Ronan Marret
75 Rue Hors-Château
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Belles récompenses
Mathilde Manka
159 Féronstrée
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Quatre Mains / Zonder Handen
Stephanie Lamoline
107 Féronstrée
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Anatomie du vivant / Life
Sophie Keraudren-Hartenberger
98 Rue de la Cathédrale
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À mon seul désir
Gral
32 Rue de la Cathédrale
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Rain Bow
Guillaume Gouerou
4 Rue de la Cathédrale
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Knock me !
Garage de Recherches Graphiques
85 Rue de la Cathédrale
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Double Bind
Jane Denizeau & Pauline Flajolet
1 Féronstrée
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Pie in the sky
Justine Corrijn
20 Rue de la Sirène
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Parking Cathédrale
Elias Cafmeyer
31a Rue de la Cathédrale
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Dés-Affectations
Elie Bolard
84 Féronstrée
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Kader / Cadre
Doris Boerman
29 Rue de l'Université
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Fatigue
Camille Bleker & Luna Pittau
3 Place des Déportés
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Si tu me vois
Aurélie Belair
56 Rue Saint-Gilles
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Terres battantes
Camille Barbet
100 Rue de la Cathédrale
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The end–promise on packaging
Pharaz Azimi
23 Rue Saint-Michel
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J’ai déclaré ma flamme
Artik
25 Rue Saint Paul
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my belongings
Celine Aernoudt
5 Rue Chéravoie
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Anatomie du vivant / Life
#16
Sophie Keraudren-Hartenberger
Artist selected as part of the open call.
38698 Rue de la Cathédrale
Anatomie du Vivant presents the work of the artist Sophie Keraudren-Hartenberger, whose practice, at the crossroads of art, science and technology, plunges into the heart of matter. The artist shares a taste for scientific aesthetics and works to reveal the invisible threads that weave our world. The Life installation offers an evolving work that sensitively reinterprets a scientific experiment from the last century, while exploring the frontiers of life.
The artist unveils a new series created in collaboration with the CEISAM laboratory at the University of Nantes. Inspired by the work of Nantes doctor Stéphane Leduc, who, in 1905, attempted to recreate living things from chemical substances, she questions the blurred boundaries between the animate and the inanimate. Her “Nano” series consists of laboratory glassware sculptures in which she shapes “chemical gardens”. These artificial organic formations, resulting from the mixture of saline solutions and minerals, evoke the genesis of the first forms of life on Earth. The growth of these gardens, which she films and projects onto the sculptures, acts as a reminiscence of the first signs of life that appeared on our planet.
The installation immerses the viewer in a world that is both disturbing and fascinating, constantly oscillating between the infinitely small and the infinitely large. A dive into darkness, where only a few ultraviolet lights, echoing bioluminescence, guide our perceptions. An immersive and sensory work where art and science meet to reveal the complexity of life.