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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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Anatomie du vivant / Life
#16
Sophie Keraudren-Hartenberger
Artist selected as part of the open call.
38698 Rue de la Cathédrale
Anatomie du Vivant presents the work of the artist Sophie Keraudren-Hartenberger, whose practice, at the crossroads of art, science and technology, plunges into the heart of matter. The artist shares a taste for scientific aesthetics and works to reveal the invisible threads that weave our world. The Life installation offers an evolving work that sensitively reinterprets a scientific experiment from the last century, while exploring the frontiers of life.
The artist unveils a new series created in collaboration with the CEISAM laboratory at the University of Nantes. Inspired by the work of Nantes doctor Stéphane Leduc, who, in 1905, attempted to recreate living things from chemical substances, she questions the blurred boundaries between the animate and the inanimate. Her “Nano” series consists of laboratory glassware sculptures in which she shapes “chemical gardens”. These artificial organic formations, resulting from the mixture of saline solutions and minerals, evoke the genesis of the first forms of life on Earth. The growth of these gardens, which she films and projects onto the sculptures, acts as a reminiscence of the first signs of life that appeared on our planet.
The installation immerses the viewer in a world that is both disturbing and fascinating, constantly oscillating between the infinitely small and the infinitely large. A dive into darkness, where only a few ultraviolet lights, echoing bioluminescence, guide our perceptions. An immersive and sensory work where art and science meet to reveal the complexity of life.