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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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ALLEGRAPARK
#5
Tony Coopman and Lasse Russe
Curator : Bertrand Léonard
9948 Rue de la Cathédrale
AP is a playground. AP is a forest.
The rules are simple : Entertainment as a new reality.
Violence and death are assimilated through the overload of action movies, video games and theme parks.
The coffin is the starting point, it is both an arcade cabinet and a roller coaster cart. The profusion of wooden weapons is the reflection of the multitude of offers proposed by the entertainment society. The windows are the screens that diffuse these epileptic images. AP exploits the ambivalence and the fascination of objects whose function is connected to death. They lose their sacred and moral nature to turn into simple wooden toys.
AP is a dogma based on the virtuality of the existence. Are we still in the game ?
Tony Coopman examines raw materials and assembles them meticulously. As an engineer of the impossible, he transforms them into poetic machines, usually weapons, endowed with their own mechanism and life. He works at the Kunstwerkplaats De Zandberg.
Lasse Russe is an illustrator and a painter. The segmented stroke of his drawings stirs his colorful compositions that are inhabited by his psychedelic and organic motifs. These ornaments dialogue with the destructured illustrations to lead us into a singular graphic narration.
The coffin in the installation benefited from a production and diffusion aid granted by the association Fructôse Dunkerque.
