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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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BAO TẢI DỨA
#1
Simon Médard
Curator : Maxime Moinet
14Îlot Saint-Michel
Between October and December 2018, Simon Médard was in Vietnam to take part in the Undecided Production’s live.make.share residence. With 5 other guest artists, he lived and worked in contact with the craftspeople in the traditional ceramics workshop of Hien Van, to the north of Hanoi. The region is conducive to motorbike rides and the escapades were rich in astonishments as a raw material. Whilst there, he filmed several videos, drew enormously as he often does and took much pleasure in trying his hand at ceramics. He also produced a considerable corpus of paintings on bags from which the installation Bao Tải Dứa is derived.
These bags made of woven plastic threads can be found almost everywhere in Vietnam. Shopkeepers use them as recipients for various products and materials, farmers keep their seeds in them and the inhabitants use them as bin bags. The artist was initially attracted by the strange brands and logos with which they were decorated and started to collect them, picking up new colours and shapes here and there. He then went on to use some of these bags as mediums for his paintings which he was already imagining exhibited filled with all sorts of things.
In the subjects he depicts, souvenirs of walks, local traditions and everyday objects can often be found, to which are added figures and gestures typically used by the artist. Each painting is a sort of symbol of his stay in Vietnam, summing up an exciting moment or beautiful story. Among these patterns, by way of example, there is a bouquet of flowers laid on a dustbin, as seen often by the artist during his voyage. Although these flowers seem to be recently picked, they are about to be thrown away. According to superstition, they should be removed from the house before they have started to wilt”.
