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The price is worth it
Acher
9 Rue de la Violette, 4000 Liège
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TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
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V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
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Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
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La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
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Cityscape
Sarah Lauwers
29 Rue de l'Université
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Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Vapeurs
Eva Mancuso
5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Actions !
Maxence Mathieu
56 Rue Saint-Gilles
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On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
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Travel Local, Buy Local
Oya
107 Féronstrée
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Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
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22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
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Chronique florale
Ionut Popa
101 Féronstrée
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The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
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Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
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Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
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Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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BAO TẢI DỨA
#1
Simon Médard
Curator : Maxime Moinet
14Îlot Saint-Michel
Between October and December 2018, Simon Médard was in Vietnam to take part in the Undecided Production’s live.make.share residence. With 5 other guest artists, he lived and worked in contact with the craftspeople in the traditional ceramics workshop of Hien Van, to the north of Hanoi. The region is conducive to motorbike rides and the escapades were rich in astonishments as a raw material. Whilst there, he filmed several videos, drew enormously as he often does and took much pleasure in trying his hand at ceramics. He also produced a considerable corpus of paintings on bags from which the installation Bao Tải Dứa is derived.
These bags made of woven plastic threads can be found almost everywhere in Vietnam. Shopkeepers use them as recipients for various products and materials, farmers keep their seeds in them and the inhabitants use them as bin bags. The artist was initially attracted by the strange brands and logos with which they were decorated and started to collect them, picking up new colours and shapes here and there. He then went on to use some of these bags as mediums for his paintings which he was already imagining exhibited filled with all sorts of things.
In the subjects he depicts, souvenirs of walks, local traditions and everyday objects can often be found, to which are added figures and gestures typically used by the artist. Each painting is a sort of symbol of his stay in Vietnam, summing up an exciting moment or beautiful story. Among these patterns, by way of example, there is a bouquet of flowers laid on a dustbin, as seen often by the artist during his voyage. Although these flowers seem to be recently picked, they are about to be thrown away. According to superstition, they should be removed from the house before they have started to wilt”.