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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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BAO TẢI DỨA
#1
Simon Médard
Curator : Maxime Moinet
14Îlot Saint-Michel
Between October and December 2018, Simon Médard was in Vietnam to take part in the Undecided Production’s live.make.share residence. With 5 other guest artists, he lived and worked in contact with the craftspeople in the traditional ceramics workshop of Hien Van, to the north of Hanoi. The region is conducive to motorbike rides and the escapades were rich in astonishments as a raw material. Whilst there, he filmed several videos, drew enormously as he often does and took much pleasure in trying his hand at ceramics. He also produced a considerable corpus of paintings on bags from which the installation Bao Tải Dứa is derived.
These bags made of woven plastic threads can be found almost everywhere in Vietnam. Shopkeepers use them as recipients for various products and materials, farmers keep their seeds in them and the inhabitants use them as bin bags. The artist was initially attracted by the strange brands and logos with which they were decorated and started to collect them, picking up new colours and shapes here and there. He then went on to use some of these bags as mediums for his paintings which he was already imagining exhibited filled with all sorts of things.
In the subjects he depicts, souvenirs of walks, local traditions and everyday objects can often be found, to which are added figures and gestures typically used by the artist. Each painting is a sort of symbol of his stay in Vietnam, summing up an exciting moment or beautiful story. Among these patterns, by way of example, there is a bouquet of flowers laid on a dustbin, as seen often by the artist during his voyage. Although these flowers seem to be recently picked, they are about to be thrown away. According to superstition, they should be removed from the house before they have started to wilt”.