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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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BLOSSOMS AND FRUITS AT ONCE
#7
Adele Dipasquale
Open call
16014 Rue de la Sirène
Inspired by the Winogradsky column, a late 19th century scientific experiment that recreates the first stages of bacterial life on earth, ‘Blossoms and fruits at once’ is a video installation that critically reflects on the human desire to go back to a primordial moment of existence, connecting local histories, geological temporalities, oral narratives and magical thought. The aspiration to go back to an alleged stage where nature nurtures humans without effort and fatigues, where blossoms and fruits grow simultaneously breaking the progression of seasons, has always been a very dangerous myth in which women, together with all the ones associated with the ‘natural category’, had to pay a very high price. In the work all the ingredients necessary to make a Winogradsky sample—namely calcium, sulfur, cellulose, pond mud and water—have been collected, connecting to the histories of their original locations : from the bleached and polluted sand of Rosignano Solvay, passing through massive extractivism sites such as Carrara marble quarry or Sicilian sulfur mines, to symbols of wilderness and horror like Mount Etna volcano or the psychomagical badlands of Aliano. Looking at different techniques to relate to and manipulate the ‘outside world’, the work explores the myth of nature working in the intersections between science and fiction, chemical reactions and cosmogonic tales, magic and oral storytelling.
16 mm film transferred to Full HD , 5’30’’
Soil of the badlands of Aliano, marble powder and water from the caves of Carrara, sand and cuttlebones from the polluted white beaches of Rosignano Solvay, sulfur deposit from Vulcano in the namesake island, rocks and basalt from Crateri Silvestri of Etna, sulfur powder extracted in Trabonella mine near Caltanisetta, textile and paper

