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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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BLOSSOMS AND FRUITS AT ONCE
#7
Adele Dipasquale
Open call
16014 Rue de la Sirène
Inspired by the Winogradsky column, a late 19th century scientific experiment that recreates the first stages of bacterial life on earth, ‘Blossoms and fruits at once’ is a video installation that critically reflects on the human desire to go back to a primordial moment of existence, connecting local histories, geological temporalities, oral narratives and magical thought. The aspiration to go back to an alleged stage where nature nurtures humans without effort and fatigues, where blossoms and fruits grow simultaneously breaking the progression of seasons, has always been a very dangerous myth in which women, together with all the ones associated with the ‘natural category’, had to pay a very high price. In the work all the ingredients necessary to make a Winogradsky sample—namely calcium, sulfur, cellulose, pond mud and water—have been collected, connecting to the histories of their original locations : from the bleached and polluted sand of Rosignano Solvay, passing through massive extractivism sites such as Carrara marble quarry or Sicilian sulfur mines, to symbols of wilderness and horror like Mount Etna volcano or the psychomagical badlands of Aliano. Looking at different techniques to relate to and manipulate the ‘outside world’, the work explores the myth of nature working in the intersections between science and fiction, chemical reactions and cosmogonic tales, magic and oral storytelling.
16 mm film transferred to Full HD , 5’30’’
Soil of the badlands of Aliano, marble powder and water from the caves of Carrara, sand and cuttlebones from the polluted white beaches of Rosignano Solvay, sulfur deposit from Vulcano in the namesake island, rocks and basalt from Crateri Silvestri of Etna, sulfur powder extracted in Trabonella mine near Caltanisetta, textile and paper

