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Around The Corner
Zena Van den Block
35 Rue Souverain Pont
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VMC gargouilles
Thomas Sindicas
31b Rue de la Cathédrale
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Kodomo No Kuni
Mey Semtati
18 Rue de l'Etuve
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The Faces Collection
Anna Safiatou Touré
16 Rue du Palais
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QuickSnap
Camille Poitevin
40 Rue Hors-Château
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P.O.F
Ronan Marret
75 Rue Hors-Château
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Belles récompenses
Mathilde Manka
159 Féronstrée
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Quatre Mains / Zonder Handen
Stephanie Lamoline
107 Féronstrée
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Anatomie du vivant / Life
Sophie Keraudren-Hartenberger
98 Rue de la Cathédrale
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À mon seul désir
Gral
32 Rue de la Cathédrale
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Rain Bow
Guillaume Gouerou
4 Rue de la Cathédrale
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Knock me !
Garage de Recherches Graphiques
85 Rue de la Cathédrale
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Double Bind
Jane Denizeau & Pauline Flajolet
1 Féronstrée
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Pie in the sky
Justine Corrijn
20 Rue de la Sirène
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Parking Cathédrale
Elias Cafmeyer
31a Rue de la Cathédrale
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Dés-Affectations
Elie Bolard
84 Féronstrée
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Kader / Cadre
Doris Boerman
29 Rue de l'Université
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Fatigue
Camille Bleker & Luna Pittau
3 Place des Déportés
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Si tu me vois
Aurélie Belair
56 Rue Saint-Gilles
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Terres battantes
Camille Barbet
100 Rue de la Cathédrale
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The end–promise on packaging
Pharaz Azimi
23 Rue Saint-Michel
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J’ai déclaré ma flamme
Artik
25 Rue Saint Paul
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my belongings
Celine Aernoudt
5 Rue Chéravoie
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Censorship
#9
Bram Van Meervelde
Curator: Alicja Melzacka
22244 Rue Saint-Gilles
Bram Van Meervelde (1991) lives and works in Antwerp.
While studying the Latin language as a college student and getting bad marks in mathematics, he decided to continue in the arts.
His interest in the arts was stimulated by his father and mother, both art lovers and collectors.
In 2010 Van Meervelde continued at the Academy of Fine Arts of Antwerp where he got his master’s degree in 2014.
During these studies, he enjoyed an Erasmus residency in Athens of six months. Intensified absorption and observation of the Greek life and culture resulted in a rich variety of works.
Van Meervelde never got rid of Athens and returned regularly to the warm and chaotic center of aesthetics.
From the age of 17 he participated in different group exhibitions like ‘New Masters’ (2014, Royal Academy of Fine Arts Antwerp, curated by Philip Aguirre), ‘Séries’ (2014, CAPS, Antwerp, curated by Paul Poelmans), ‘Traces of the present’, [2015, Serifos Greece, curated by Eva Vaslamatzi and Danai Giannoglou], a duo show at Transit Gallery [2015, Mechelen], ‘Now Belgium Now’ [2016, Antwerp],’Terra Quadrata’, KEIV, [2017, Athens], Expo 2018, [2018, Antwerp, Curated by the District of Antwerp], Het Voorstel [2018, CC De Steiger, Menen, curated by Hans Martens].
His first solo gallery exhibition opened in October 2019 in Galerie Transit Mechelen.
He made several publications as limited editions and collaborated with other artists on a wide range of projects, including street art.
Van Meervelde likes to work in and with the specifications of a certain place, indoors and outdoors, legal and illegal. At first glance, his oeuvre looks like based on the banalities of life but at a closer look, his analysis could be very profound and fundamental.