-
Histoires simples
Léopold Mottet 1 students
107 Féronstrée
-
Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
-
Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
-
Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
-
La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
-
MANTERO
Santiago Vélez
4 Rue de la Cathédrale
-
Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
-
ST END
Pablo Perez
10 Rue Nagelmackers
-
ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
-
Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
-
Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
-
precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
-
S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
-
Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
-
Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
-
Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
-
Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
-
Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
-
Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
-
COMMENT
Kim Bradford
16 Rue du Palais
-
Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
-
L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
-
Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
Warning: Undefined array key "current_expo" in /var/www/clients/client3/web4/web/wp-content/themes/artaucentre/loop/vitrine.php on line 25
Desunsthétics
#4
Zorg Aourir
Curator : Maxime Moinet
6931b Rue de la Cathédrale
Indefatigable dabbler driven by a desire to see things and bodies move, Zorg Aourir is driven by an artistic fire that can take very different forms : music, painting, drawing, silk-screen printing, 3D animation, video game… He also regularly organizes collective exhibitions and musical events.
Zorg Aourir discovers painting with his grandfather, artist Fernand Flausch, with whom he learns painting and pictorial composition. He tries his hand at other computer graphic methods that progressively take an important place in his work. Nonetheless paper remain his preferred medium. At the Royal Academy of Fine Arts of Brussels, he trains to master silk-screen printing, encouraging him to experiment. Since then, he has been multiplying his research and collaborations, adding new strings to his bow.
His very rich graphic universe thrived over time on countless influences, absorbed then digested. The most obvious ones are the pop reminiscences of his grandfather in his colors and the reminders of the 80s-90s video games in certain textures. In the artwork that he presents for Art au Centre, he makes the transition from digital to analogical. He uses several software to create new forms that he animates afterwards before transposing his composition on paper and including it into a larger decor. The spectator is plunged into a three-dimensional cosmic world located on the dividing line between graphic arts and animation.

