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The price is worth it
Acher
Boulevard d'Avroy 28-30
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TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
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V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
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Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
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La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
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Cityscape
Sarah Lauwers
29 Rue de l'Université
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Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Vapeurs
Eva Mancuso
5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Actions !
Maxence Mathieu
56 Rue Saint-Gilles
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On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
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Travel Local, Buy Local
Oya
107 Féronstrée
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Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
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22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
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Chronique florale
Ionut Popa
101 Féronstrée
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The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
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Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
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Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
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Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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Desunsthétics
#4
Zorg Aourir
Curator : Maxime Moinet
6931b Rue de la Cathédrale
Indefatigable dabbler driven by a desire to see things and bodies move, Zorg Aourir is driven by an artistic fire that can take very different forms : music, painting, drawing, silk-screen printing, 3D animation, video game… He also regularly organizes collective exhibitions and musical events.
Zorg Aourir discovers painting with his grandfather, artist Fernand Flausch, with whom he learns painting and pictorial composition. He tries his hand at other computer graphic methods that progressively take an important place in his work. Nonetheless paper remain his preferred medium. At the Royal Academy of Fine Arts of Brussels, he trains to master silk-screen printing, encouraging him to experiment. Since then, he has been multiplying his research and collaborations, adding new strings to his bow.
His very rich graphic universe thrived over time on countless influences, absorbed then digested. The most obvious ones are the pop reminiscences of his grandfather in his colors and the reminders of the 80s-90s video games in certain textures. In the artwork that he presents for Art au Centre, he makes the transition from digital to analogical. He uses several software to create new forms that he animates afterwards before transposing his composition on paper and including it into a larger decor. The spectator is plunged into a three-dimensional cosmic world located on the dividing line between graphic arts and animation.