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Around The Corner
Zena Van den Block
35 Rue Souverain Pont
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VMC gargouilles
Thomas Sindicas
31b Rue de la Cathédrale
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Kodomo No Kuni
Mey Semtati
18 Rue de l'Etuve
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The Faces Collection
Anna Safiatou Touré
16 Rue du Palais
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QuickSnap
Camille Poitevin
40 Rue Hors-Château
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P.O.F
Ronan Marret
75 Rue Hors-Château
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Belles récompenses
Mathilde Manka
159 Féronstrée
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Quatre Mains / Zonder Handen
Stephanie Lamoline
107 Féronstrée
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Anatomie du vivant / Life
Sophie Keraudren-Hartenberger
98 Rue de la Cathédrale
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À mon seul désir
Gral
32 Rue de la Cathédrale
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Rain Bow
Guillaume Gouerou
4 Rue de la Cathédrale
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Knock me !
Garage de Recherches Graphiques
85 Rue de la Cathédrale
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Double Bind
Jane Denizeau & Pauline Flajolet
1 Féronstrée
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Pie in the sky
Justine Corrijn
20 Rue de la Sirène
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Parking Cathédrale
Elias Cafmeyer
31a Rue de la Cathédrale
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Dés-Affectations
Elie Bolard
84 Féronstrée
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Kader / Cadre
Doris Boerman
29 Rue de l'Université
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Fatigue
Camille Bleker & Luna Pittau
3 Place des Déportés
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Si tu me vois
Aurélie Belair
56 Rue Saint-Gilles
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Terres battantes
Camille Barbet
100 Rue de la Cathédrale
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The end–promise on packaging
Pharaz Azimi
23 Rue Saint-Michel
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J’ai déclaré ma flamme
Artik
25 Rue Saint Paul
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my belongings
Celine Aernoudt
5 Rue Chéravoie
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ESPACE COPULANT
#1
Denis Verkeyn
Curator : Maxime Moinet
1953 Rue du Pot d'Or
With regard to the work of Denis Verkeyn, I believe it is important to distinguish a way of painting that is derived from interiority, by which I mean a work which calls on you to approach it, a silent vision that reflects back on ourselves, a work which encourages musing and meditation, a notion that can be found among the intimism painters. However, it is also a way of painting that expresses itself directly and is therefore, in a way, a painting style drawn from exteriority. Through the subtle harmony of hues and contrasts, the work exudes remarkable intensity. Its symbolistic aspects are a major element in the artist’s craft, made up of a series of signs that are very specific to him and in keeping with his discourse, to which can be added a carefully elaborated quest for composition and occupation of space. There is also, in each piece, an essential stripping down to reality. The distribution of the flat tints and pure forms stem not only from poetic characteristics, but also from successful expression of the power of painting that combines knowledge, mastery and sensitivity.