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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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Mécanique d’un mur
#14
Raphaël Maman
Artist selected as part of the open call
3359 Passage Lemonnier
The window space is much more than a simple interface between the interior of a store and the outside world. It is a silent theater where objects come to life without ever leaving their place. The window is the art of showing without touching, of revealing without unveiling, creating a particular tension between the real and the projection of the real. It is a theatrical stage where the outlines of our daily lives take shape and where mechanisms activate before our eyes.
This installation titled Mécanique d’un mur involves building a wall made of cardboard with the same dimensions as concrete blocks and erecting it using mechanical grease. Installed from floor to ceiling, it faces the viewer, offering a view from the street of a construction resembling the foundations of the building above it. Over the course of the exhibition, the grease infiltrates the fibers of the cardboard and reveals the usual effects of mortar on the stability of a construction.
This installation also evokes the principle of bricking up; an act that seals the opening of a door or window and reinforces the metaphor of the desertification that currently affects the city of Liège. In this changing environment, where commercial spaces transform into cold lifeless walls, the installation becomes a testimony to the ongoing urban transformation.
This “production” reveals the generally invisible backstage of our daily environment. Passersby are invited to contemplate the very essence of a construction and the complex mechanisms that underlie it, and to consider their living space in a new way by appreciating the silent drama that unfolds around them every day.