-
Vertical environnement
François Winants
27 Rue de la Casquette
-
Censorship
Bram Van Meervelde
44 Rue Saint-Gilles
-
The Poetics of Space
Ariane Toussaint
29 Rue de l'Université
-
PRIVACY’S ARCHEOLOGY
Niels-Jan Tavernier
Place de la République Française, 23
-
Braced under the heating sun
Melissa Ryke
5 Rue Chéravoie
-
Modèles réels, arrangements accidentels
Griet Moors
14 Rue de la Sirène
-
Lion #15 (Melancholy Baby)
Daisy Madden-Wells
100 Rue Saint-Gilles
-
VOUS ÊTES ICI
Les Rayons
Interventions visibles sur des vitres de voiture
-
In exile
Guda Koster
1 En Féronstrée
-
Icing
Sanne Kabalt
Rue Matrognard, 2
-
Un paysage inconnu mais familier
Dayoung Jeong
5 Place des Déportés
-
URBAN RHYTHMS
Marjolein Guldentops
129 Rue Saint-Gilles
-
À propos
Johan Gelper
41 Passage Lemonnier
-
Support Vitrine
Bart Geerts
11 Rue de Bex
-
La dernière pluie
Julia Gault
9 Passage Lemonnier
-
CAMO
Lionel Estève
25 Rue Saint Paul
-
STATIONS
Apolline Ducrocq
50 En Féronstrée
-
Zoning gris, glaner la ville, vivre le bois
Jonathan De Winter
31B Rue de la Cathédrale
-
Trophée
Estelle Deschamp
137 En Féronstrée
-
Debt Ceiling
Bob Demper
4 Rue de la Cathédrale
-
LOG 1 : SAUVE-GARDES
Paul Cottet
15 Rue Saint-Gilles
-
Pluie N20, depuis la terre…
Collectif Nuiits Delphine Dubois and Juliane Lavis
Hôtel de la Cour de Londres 40 Rue Hors-Château
-
SANS TITRE
Olivier Bovy
85 Rue de la Cathédrale
-
a l é a s
Jérôme Bouchard
31A Rue de la Cathédrale
-
Please like me #1
Margaux Blanchart
6 Rue Saint-Adalbert
-
antizenithale
Marc Angeli and Ronald Dagonnier
16 Rue du Palais

Pluie N20, depuis la terre…
#9
Collectif Nuiits Delphine Dubois and Juliane Lavis
Curator: Marjorie Ranieri
202Hôtel de la Cour de Londres 40 Rue Hors-Château
Through Nuiits, the anagram of in situ, Delphine Dubois and Juliane Lavis create installations from salvaged objects. While respecting their plastic and functional qualities, sometimes by outright magnifying their history, they poach these objects to modify their perception. Through a montage-story that reflects this intention, they endow them with a new dimension.
Memory, mutation, reconversion, lie, creation. They run behind the timeless collective history through our little split stories.
During the winter of 2019, on the way to work taken each morning, one of the artists is attracted by small cylindrical objects, both beautiful and intriguing, which litter the asphalt. Day after day, she picked them up, little metal shells that feed the contemporary chronicle of our cities. First, those she met on her way or along the sidewalks. Dozens every day. Then, those scattered on car parks or in the squares of Brussels or elsewhere. Hundreds of misused siphon gas cartridges for a few seconds of ecstasy.
Beyond the formal beauty of the object, what secrets do these cartridges conceal? Fleeting euphoria or bitter escape? Delphine and Juliane seize on these traces to tell a story that is both collective and clandestine. In this space-mirror, which is the window, this installation is in direct contact with the street, this theater of life that provided them with their material.