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Vertical environnement
François Winants
27 Rue de la Casquette
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Censorship
Bram Van Meervelde
44 Rue Saint-Gilles
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The Poetics of Space
Ariane Toussaint
29 Rue de l'Université
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PRIVACY’S ARCHEOLOGY
Niels-Jan Tavernier
Place de la République Française, 23
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Braced under the heating sun
Melissa Ryke
5 Rue Chéravoie
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Modèles réels, arrangements accidentels
Griet Moors
14 Rue de la Sirène
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Lion #15 (Melancholy Baby)
Daisy Madden-Wells
100 Rue Saint-Gilles
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VOUS ÊTES ICI
Les Rayons
Interventions visibles sur des vitres de voiture
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In exile
Guda Koster
1 En Féronstrée
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Icing
Sanne Kabalt
Rue Matrognard, 2
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Un paysage inconnu mais familier
Dayoung Jeong
5 Place des Déportés
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URBAN RHYTHMS
Marjolein Guldentops
129 Rue Saint-Gilles
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À propos
Johan Gelper
41 Passage Lemonnier
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Support Vitrine
Bart Geerts
11 Rue de Bex
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La dernière pluie
Julia Gault
9 Passage Lemonnier
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CAMO
Lionel Estève
25 Rue Saint Paul
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STATIONS
Apolline Ducrocq
50 En Féronstrée
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Zoning gris, glaner la ville, vivre le bois
Jonathan De Winter
31B Rue de la Cathédrale
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Trophée
Estelle Deschamp
137 En Féronstrée
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Debt Ceiling
Bob Demper
4 Rue de la Cathédrale
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LOG 1 : SAUVE-GARDES
Paul Cottet
15 Rue Saint-Gilles
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Pluie N20, depuis la terre…
Collectif Nuiits Delphine Dubois and Juliane Lavis
Hôtel de la Cour de Londres 40 Rue Hors-Château
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SANS TITRE
Olivier Bovy
85 Rue de la Cathédrale
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a l é a s
Jérôme Bouchard
31A Rue de la Cathédrale
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Please like me #1
Margaux Blanchart
6 Rue Saint-Adalbert
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antizenithale
Marc Angeli and Ronald Dagonnier
16 Rue du Palais

SANS TITRE
#9
Olivier Bovy
Open call
20185 Rue de la Cathédrale
Olivier Bovy lives and works in Liège. He questions the human body in his research and achievements. He addresses more precisely his position and his interaction with the world. Sober and enigmatic, his artworks function as aesthetic elements with a communication function. They indeed foster close contact and even active participation by the viewer.
For Art au Centre #9, the installation explores the links between sound and image while directly involving the observers in the reception of the artwork. It features a system made up of four inductors that bring sound to the showcase windows. The viewer is urged to stick his ear to the glass surface to discover the sounds while changing the listening point. This sound path allows him to create his own composition.
Images are displayed behind the window. They served as a source of inspiration for the sound production. Most importantly, they color the spectator’s listening by establishing a sound/image dialogue while presupposing sounds in the manner of vinyl cover illustrations.