-
Vertical environnement
François Winants
27 Rue de la Casquette
-
Censorship
Bram Van Meervelde
44 Rue Saint-Gilles
-
The Poetics of Space
Ariane Toussaint
29 Rue de l'Université
-
PRIVACY’S ARCHEOLOGY
Niels-Jan Tavernier
Place de la République Française, 23
-
Braced under the heating sun
Melissa Ryke
5 Rue Chéravoie
-
Modèles réels, arrangements accidentels
Griet Moors
14 Rue de la Sirène
-
Lion #15 (Melancholy Baby)
Daisy Madden-Wells
100 Rue Saint-Gilles
-
VOUS ÊTES ICI
Les Rayons
Interventions visibles sur des vitres de voiture
-
In exile
Guda Koster
1 En Féronstrée
-
Icing
Sanne Kabalt
Rue Matrognard, 2
-
Un paysage inconnu mais familier
Dayoung Jeong
5 Place des Déportés
-
URBAN RHYTHMS
Marjolein Guldentops
129 Rue Saint-Gilles
-
À propos
Johan Gelper
41 Passage Lemonnier
-
Support Vitrine
Bart Geerts
11 Rue de Bex
-
La dernière pluie
Julia Gault
9 Passage Lemonnier
-
CAMO
Lionel Estève
25 Rue Saint Paul
-
STATIONS
Apolline Ducrocq
50 En Féronstrée
-
Zoning gris, glaner la ville, vivre le bois
Jonathan De Winter
31B Rue de la Cathédrale
-
Trophée
Estelle Deschamp
137 En Féronstrée
-
Debt Ceiling
Bob Demper
4 Rue de la Cathédrale
-
LOG 1 : SAUVE-GARDES
Paul Cottet
15 Rue Saint-Gilles
-
Pluie N20, depuis la terre…
Collectif Nuiits Delphine Dubois and Juliane Lavis
Hôtel de la Cour de Londres 40 Rue Hors-Château
-
SANS TITRE
Olivier Bovy
85 Rue de la Cathédrale
-
a l é a s
Jérôme Bouchard
31A Rue de la Cathédrale
-
Please like me #1
Margaux Blanchart
6 Rue Saint-Adalbert
-
antizenithale
Marc Angeli and Ronald Dagonnier
16 Rue du Palais

LOG 1 : SAUVE-GARDES
#9
Paul Cottet
Open call
20315 Rue Saint-Gilles
Paul Cottet Dumoulin develops a practice of a resolutely science-frictional power: scraped among the scattered fragments of present time, it irritates our apprehension of a radically near future. Inspired by the urban environment and tinged with the filter of an imagination nourished by anticipatory literature, the artworks of this artist, who graduated from the European School of Fine Arts in Brittany in 2018, betray an ambivalent attitude towards the contemporary. In the first place, the blurred and long-lasting image of burning embers imposes itself and persists. […]
Marie Chênel, art critic for DDAB, December 2020.
A decor of thorns surrounds a cryptic world.
In the center, sculptures, counterfeits of what we would expect from an ancient sculpture, surface of incrustation of a chronicle that evokes a fantastic tale of a living object, traveling through time and space and carrying imagination towards a vanished civilization, probably non-existent. We discover a story of emancipation in a world where the barriers of the body and the non-living disintegrate. We see vibrant lights like vague memories, a black sandbank like a promised land.
Each artwork refers to something that has not yet happened. With themes such as futuristic archaeology, these very contemporary materials tarnish its anachronistic image. Between these falsely antique sculptures, these flickering neon lights form a composition with a lighter. (This technique comes from memories spent burning time, trying to write on fire on the ceilings of bus stops and/or college toilets.) In addition, the short film made by using 3D software from a photogrammetric scan of sculptures offers a testimony on the story of an astral journey put into image once again by an incongruous collage that brings porosity between two worlds with vanishing barriers.
An interconnected narrative then forms and creates a mythology that is parallel to us. A backup, that of an undefined space or time.