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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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Debt Ceiling
#9
Bob Demper
Open call
2044 Rue de la Cathédrale
In his work Bob Demper creates stories, images and spaces that often find their place on a fringe: between dreaming and waking, physical and mental space, facade and interior, personal memory and symbolism. This is the result of a constant interaction between personal stories, extensive research and references to the medium of cinema. Recurring in his practice is a strong interest in the concept of power, a term that seems to become more elusive with each attempt at understanding or defining it. He investigates how the creation and management of power has developed and in particular the influence it can have on the mental state of an individual or a group. By using recognizable cinematic motifs he raises expectations that can be subverted, fulfilled or deconstructed. Ideas and narratives that appear in his longer filmic work fragment into shorter videos, sculptures and installations creating a rhizomatic body of work.
The installation shown at Art au Centre sketches a quintessential interrogation room, a space primarily designed to create a false sense of agency that makes an interviewee behave in the most desirable manner. The notion of this mechanical malleability is further explored in a set of clock-like sculptures, that are loosely based on unrealised automatons by Heron of Alexandria.