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Around The Corner
Zena Van den Block
35 Rue Souverain Pont
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VMC gargouilles
Thomas Sindicas
31b Rue de la Cathédrale
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Kodomo No Kuni
Mey Semtati
18 Rue de l'Etuve
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The Faces Collection
Anna Safiatou Touré
16 Rue du Palais
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QuickSnap
Camille Poitevin
40 Rue Hors-Château
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P.O.F
Ronan Marret
75 Rue Hors-Château
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Belles récompenses
Mathilde Manka
159 Féronstrée
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Quatre Mains / Zonder Handen
Stephanie Lamoline
107 Féronstrée
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Anatomie du vivant / Life
Sophie Keraudren-Hartenberger
98 Rue de la Cathédrale
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À mon seul désir
Gral
32 Rue de la Cathédrale
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Rain Bow
Guillaume Gouerou
4 Rue de la Cathédrale
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Knock me !
Garage de Recherches Graphiques
85 Rue de la Cathédrale
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Double Bind
Jane Denizeau & Pauline Flajolet
1 Féronstrée
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Pie in the sky
Justine Corrijn
20 Rue de la Sirène
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Parking Cathédrale
Elias Cafmeyer
31a Rue de la Cathédrale
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Dés-Affectations
Elie Bolard
84 Féronstrée
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Kader / Cadre
Doris Boerman
29 Rue de l'Université
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Fatigue
Camille Bleker & Luna Pittau
3 Place des Déportés
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Si tu me vois
Aurélie Belair
56 Rue Saint-Gilles
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Terres battantes
Camille Barbet
100 Rue de la Cathédrale
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The end–promise on packaging
Pharaz Azimi
23 Rue Saint-Michel
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J’ai déclaré ma flamme
Artik
25 Rue Saint Paul
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my belongings
Celine Aernoudt
5 Rue Chéravoie
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STATIONS
#9
Apolline Ducrocq
Open call
20750 En Féronstrée
As a repairperson, researcher and collector, my work gravitates around sculpture, assemblage, photography and installation. I see creation as a construction, as a way to give birth to forms from a ground or a story. I am interested in materials, shapes, dimensions, questions of scale but also their positions in a space.
Often, places in perpetual movement such as lands or construction sites are spaces that appeal to me. Movement has a very important place in my work. The materials I use are often raw materials that tell a story. They are usually taken from buildings under renovation, urban wastelands, demolition sites and sometimes even during trips…
For this ninth edition of Art au Centre, I created Stations, which is a dialogue of forms resulting from an encounter with a pile of cars, a shower cubicle being demolished and a pile of sandstone tile rubble…
The tiling has an important place in this fixed space, it suggests mobility by its omnipresence in spaces of passage and underlines, through photography, the multiple displacements made by the works that I have been able to carry out or the forced immobility of its wandering forms.
The fleeting presented forms speak of movements such as the passage of people in a metro station, a gas station, a car wash… Through the glass, these sculptures offer a look at frozen moments filled with a future that just wants to move.