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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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Tatami
#6
Delphine Pouillé
Curator : Anna Ozanne
14016 Rue du Palais, 4000 Liège, Belgique Liège
A hanging textile, whose dimensions are those of an A4 sheet enlarged at the scale of the window, contains a set of semi-transparent sketches. The polyurethane foam, usually used to fill in hollow walls, becomes part of the fabric lining, and gives to the body the shape of a character whose posture is as extraordinary as uncomfortable. A leg, a foot, a face… A great confusion. Excellence and madness of a body trained to the extreme. What move did this athlete do to find himself in such an awkward position ? Did he pull a muscle during training ? The softness of the material gives a nearly fun flexibility to the body caught into a game of human Tetris.
Playing with the limits of the fabric like those of a sheet, the drawing resembles a sculpture. This bas-relief does not illustrate an ancient scene, but seems to suggest a mysterious allegory in which anyone can find a meaning. What is this strange combat hold inflicted to oneself ?
Falsely naïve, the artwork looks like a totem. Emblem or amulet, perhaps it symbolizes a contemporary situation. This body seems fragmented into photographic sequences and refers to the very first scenes of silent films, to the chronophotograph decomposing the movement and staging gags in which the characters get beat at their own game (L’arroseur arrosé).
