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The price is worth it
Acher
Boulevard d'Avroy 28-30
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TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
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V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
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Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
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La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
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Cityscape
Sarah Lauwers
29 Rue de l'Université
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Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Vapeurs
Eva Mancuso
5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Actions !
Maxence Mathieu
56 Rue Saint-Gilles
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On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
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Travel Local, Buy Local
Oya
107 Féronstrée
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Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
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22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
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Chronique florale
Ionut Popa
101 Féronstrée
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The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
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Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
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Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
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Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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Tatami
#6
Delphine Pouillé
Curator : Anna Ozanne
14016 Rue du Palais, 4000 Liège, Belgique Liège
A hanging textile, whose dimensions are those of an A4 sheet enlarged at the scale of the window, contains a set of semi-transparent sketches. The polyurethane foam, usually used to fill in hollow walls, becomes part of the fabric lining, and gives to the body the shape of a character whose posture is as extraordinary as uncomfortable. A leg, a foot, a face… A great confusion. Excellence and madness of a body trained to the extreme. What move did this athlete do to find himself in such an awkward position ? Did he pull a muscle during training ? The softness of the material gives a nearly fun flexibility to the body caught into a game of human Tetris.
Playing with the limits of the fabric like those of a sheet, the drawing resembles a sculpture. This bas-relief does not illustrate an ancient scene, but seems to suggest a mysterious allegory in which anyone can find a meaning. What is this strange combat hold inflicted to oneself ?
Falsely naïve, the artwork looks like a totem. Emblem or amulet, perhaps it symbolizes a contemporary situation. This body seems fragmented into photographic sequences and refers to the very first scenes of silent films, to the chronophotograph decomposing the movement and staging gags in which the characters get beat at their own game (L’arroseur arrosé).