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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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Transferida
#8
Babi Avelino
Curator & text : Philippe Braem
1775 Rue Chéravoie
Babi Avelino gives new impetus to an old tradition called the foto pintura. This technique, invented by French photographer Disdéri in 1863, arrived in Brazil in 1866. The process consisted of printing low-contrast photographs and painting them. The photos were taken by traveling photographers. Local painters retouched the photos with gouache or oil paint… They enriched the clothes of the people depicted, smoothed out their wrinkles, added jewelry or paid tribute to their deceased relatives. Where only the nobility and the wealthy could afford a family painting, the underprivileged class managed to acquire a certain status thanks to this technique. Nowadays, the foto pintura has almost disappeared due to digital technologies, selfies and the Internet.
Babi Avelino’s travels through old photo albums evoked memories that are connected to the foto pintura of her grandmother’s house. Using FaceApp, she transformed her own face into portraits of her distant or deceased relatives. However this personal story turned into a tribute to the Woman, who is almost always in the foreground in the foto pintura and by extension also to all those men and women who connect her to Brazil. By accepting their identities, Babi Avelino also pays tribute to her Brazilian heroes: artists, architects, feminists, defenders of freedom.
Transferida, Portuguese for “transferred”, consists of two words: trans, which refers to both the distance and the transfer of files and ferida, meaning “injured”, which refers to the dangerous situation in which her homeland currently is. But it’s also the saudade, the feeling of living between two countries.
Simultaneously, Transferida: at KABK Oudenaerde (until March 26).

