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Around The Corner
Zena Van den Block
35 Rue Souverain Pont
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VMC gargouilles
Thomas Sindicas
31b Rue de la Cathédrale
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Kodomo No Kuni
Mey Semtati
18 Rue de l'Etuve
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The Faces Collection
Anna Safiatou Touré
16 Rue du Palais
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QuickSnap
Camille Poitevin
40 Rue Hors-Château
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P.O.F
Ronan Marret
75 Rue Hors-Château
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Belles récompenses
Mathilde Manka
159 Féronstrée
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Quatre Mains / Zonder Handen
Stephanie Lamoline
107 Féronstrée
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Anatomie du vivant / Life
Sophie Keraudren-Hartenberger
98 Rue de la Cathédrale
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À mon seul désir
Gral
32 Rue de la Cathédrale
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Rain Bow
Guillaume Gouerou
4 Rue de la Cathédrale
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Knock me !
Garage de Recherches Graphiques
85 Rue de la Cathédrale
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Double Bind
Jane Denizeau & Pauline Flajolet
1 Féronstrée
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Pie in the sky
Justine Corrijn
20 Rue de la Sirène
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Parking Cathédrale
Elias Cafmeyer
31a Rue de la Cathédrale
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Dés-Affectations
Elie Bolard
84 Féronstrée
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Kader / Cadre
Doris Boerman
29 Rue de l'Université
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Fatigue
Camille Bleker & Luna Pittau
3 Place des Déportés
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Si tu me vois
Aurélie Belair
56 Rue Saint-Gilles
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Terres battantes
Camille Barbet
100 Rue de la Cathédrale
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The end–promise on packaging
Pharaz Azimi
23 Rue Saint-Michel
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J’ai déclaré ma flamme
Artik
25 Rue Saint Paul
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my belongings
Celine Aernoudt
5 Rue Chéravoie
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Un paysage inconnu mais familier
#9
Dayoung Jeong
Open call
2135 Place des Déportés
During my childhood, the computer became part of our homes and I grew up watching our daily lives change rapidly. I thus focus naturally on the boundary between the virtual world (a digital world) and the real world. By moving stories, gestures, visual images from the virtual world to the real world (and vice versa), I transform my psychological and physical experiences into artistic creation and I question myself and the story around me. I also try to find my own way of being and my place within the society.
Even if digital technology inspires me a lot for my subjects, I always create tangible pieces, often in an artisanal way, ultimately far from digital technologies. I often use glass and its expressions in my work. This is the influence of my grandfather, who was a glassmaker. The glass seems fragile, but also solid. Sometimes it reflects light and retains light as stage lighting would. They allow me to represent the fantasy adopted in our virtual world. For me, glass has thus become a way to express stories from the theatrical world I watch through my computer screen and that sometimes seems more real than the life in which I physically develop.
I have the feeling that the real world, seen through the virtual world, is a play. Having worked in a theater scenography team, I was also greatly inspired by the universe of stage. I thus found it interesting to create a scenic sphere in the exhibition space.