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The price is worth it
Acher
9 Rue de la Violette, 4000 Liège
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TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
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V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
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Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
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La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
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Cityscape
Sarah Lauwers
29 Rue de l'Université
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Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Vapeurs
Eva Mancuso
5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Actions !
Maxence Mathieu
56 Rue Saint-Gilles
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On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
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Travel Local, Buy Local
Oya
107 Féronstrée
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Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
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22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
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Chronique florale
Ionut Popa
101 Féronstrée
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The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
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Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
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Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
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Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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UNTITLED (SELF)
#6
Laura Jatkowski
Curator : Arthur Cordier
13250 En Féronstrée
Laura Jatkowski likes to fix things, study fridges and carve stones.
Behind such a peculiar collection of interests lies the commitment to locate how everyday households and manufactured goods shape, craft and convey our moods, longings and desires into the world. The emotional knowledge that emanates from seemingly banal and gloomy items is twisted into her practice by accumulation and gestural repetition. The distortion of our habit-uses is enhanced by evocative titles.
In the installation Untrammeled, away she goes (2017) she collected, trimmed and welded a dozen bikes into a crooked line, forming a forest-like series of poles. Her work Canaries (2019), was a site-specific installation within a former fortress that was both an inquiry and an exploration of the space—further drawing upon concepts of protection and vulnerability. More recently she exhibited Strike (2020), the picture of a twisted nail in the form of an inner struggle, the embodiment of oneself.
There is no room for discarded objects.
For Art Au Centre #6 Laura presents Untitled (self), 2021, inspired by encounters with fridges in houses of friends and random encounters – their doors become a storage of reminders on which photographs mingle with bills to pay and tacky magnets of past holidays. Fridges preserve much more than our food. Fridges are doors to our remembrance holding pieces of our memory. Often they become domestic decorations that carry gestures, emotional values and histories. Each of these stories carry bits and pieces of our interpersonal relationships.
Laura Jatkowski’s artistic strategy is often a combination of low-frequency humour and oblique statements, depicting the materiality of affect in everyday consumption.
Supported by Stroom Den Haag