-
Histoires simples
Léopold Mottet 1 students
107 Féronstrée
-
Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
-
Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
-
Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
-
La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
-
MANTERO
Santiago Vélez
4 Rue de la Cathédrale
-
Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
-
ST END
Pablo Perez
10 Rue Nagelmackers
-
ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
-
Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
-
Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
-
precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
-
S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
-
Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
-
Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
-
Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
-
Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
-
Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
-
Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
-
COMMENT
Kim Bradford
16 Rue du Palais
-
Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
-
L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
-
Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
Warning: Undefined array key "current_expo" in /var/www/clients/client3/web4/web/wp-content/themes/artaucentre/loop/vitrine.php on line 25

UNTITLED (SELF)
#6
Laura Jatkowski
Curator : Arthur Cordier
13250 En Féronstrée
Laura Jatkowski likes to fix things, study fridges and carve stones.
Behind such a peculiar collection of interests lies the commitment to locate how everyday households and manufactured goods shape, craft and convey our moods, longings and desires into the world. The emotional knowledge that emanates from seemingly banal and gloomy items is twisted into her practice by accumulation and gestural repetition. The distortion of our habit-uses is enhanced by evocative titles.
In the installation Untrammeled, away she goes (2017) she collected, trimmed and welded a dozen bikes into a crooked line, forming a forest-like series of poles. Her work Canaries (2019), was a site-specific installation within a former fortress that was both an inquiry and an exploration of the space—further drawing upon concepts of protection and vulnerability. More recently she exhibited Strike (2020), the picture of a twisted nail in the form of an inner struggle, the embodiment of oneself.
There is no room for discarded objects.
For Art Au Centre #6 Laura presents Untitled (self), 2021, inspired by encounters with fridges in houses of friends and random encounters – their doors become a storage of reminders on which photographs mingle with bills to pay and tacky magnets of past holidays. Fridges preserve much more than our food. Fridges are doors to our remembrance holding pieces of our memory. Often they become domestic decorations that carry gestures, emotional values and histories. Each of these stories carry bits and pieces of our interpersonal relationships.
Laura Jatkowski’s artistic strategy is often a combination of low-frequency humour and oblique statements, depicting the materiality of affect in everyday consumption.
Supported by Stroom Den Haag