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Around The Corner
Zena Van den Block
35 Rue Souverain Pont
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VMC gargouilles
Thomas Sindicas
31b Rue de la Cathédrale
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Kodomo No Kuni
Mey Semtati
18 Rue de l'Etuve
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The Faces Collection
Anna Safiatou Touré
16 Rue du Palais
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QuickSnap
Camille Poitevin
40 Rue Hors-Château
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P.O.F
Ronan Marret
75 Rue Hors-Château
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Belles récompenses
Mathilde Manka
159 Féronstrée
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Quatre Mains / Zonder Handen
Stephanie Lamoline
107 Féronstrée
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Anatomie du vivant / Life
Sophie Keraudren-Hartenberger
98 Rue de la Cathédrale
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À mon seul désir
Gral
32 Rue de la Cathédrale
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Rain Bow
Guillaume Gouerou
4 Rue de la Cathédrale
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Knock me !
Garage de Recherches Graphiques
85 Rue de la Cathédrale
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Double Bind
Jane Denizeau & Pauline Flajolet
1 Féronstrée
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Pie in the sky
Justine Corrijn
20 Rue de la Sirène
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Parking Cathédrale
Elias Cafmeyer
31a Rue de la Cathédrale
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Dés-Affectations
Elie Bolard
84 Féronstrée
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Kader / Cadre
Doris Boerman
29 Rue de l'Université
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Fatigue
Camille Bleker & Luna Pittau
3 Place des Déportés
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Si tu me vois
Aurélie Belair
56 Rue Saint-Gilles
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Terres battantes
Camille Barbet
100 Rue de la Cathédrale
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The end–promise on packaging
Pharaz Azimi
23 Rue Saint-Michel
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J’ai déclaré ma flamme
Artik
25 Rue Saint Paul
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my belongings
Celine Aernoudt
5 Rue Chéravoie
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La constellation du navire Argo
#14
Sarah Illouz & Marius Escande
Artist selected as part of the open call
331Hôtel de la Cour de Londres 40 Rue Hors-Château
For Art au Centre, Sarah Illouz and Marius Escande present a new version of their installation : La constellation du navire Argo, navigating between traditional and contemporary mythologies. It stems from a reflection on Robert Graves’ book The Golden Fleece, which confronts various accounts of the ancient myth of Jason and the Argonauts.
According to the authors recounting the legend of the Golden Fleece, it possesses a gleam of gold or purple, serving as a symbol of immortality enveloping its possessor in a vibrant radiance. On these purple curtains, a constellation made of food represents the ship of the Argonauts. These food items echo the cornucopia, a legendary object shaped like a ruminant’s horn, or a triton shell used by Pluto, the Greek god of wealth and abundance. It is often depicted brimming with fruits, as well as milk, honey and other sweet foods. It symbolizes an inexhaustible source of blessings.
Here, the plastic food items have been chewed by two generations, and the textile comes from Nona source, a company dedicated to revaluing dormant stocks. Abundance is a myth, “as an imaginary resource and a source of understanding our inconsistency and madness, and as a tool available to every human community, battered by globalization, to reinvent itself[1].”
As a duo, the artists design installations, devices, ways of living, connecting, and thinking together, ways of dwelling and learning with others and locally. They explore ancestral techniques, their evolutions and their histories.