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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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Sh :ow d’hier
#10
Elsa Fauconnet & Antoine Liebaert
Artists selected as part of the open call
2364 Rue de la Cathédrale
Sh:ow D’hier, a store fantasized by Elsa Fauconnet and Antoine Liebaert, offers to see an absurd best of souvenir objects from their previous artistic projects (solo and duo), here stocked in a “baz’art” mode.
Placed under glass, they are exhibited to strollers like products adrift, using the chaotic and poetic codes of these e-shops that are now doomed to disappear from public spaces.
The window unfolds a landscape in the form of an “idiorama”, in which poetic artefacts confront the domestication of forms, a notable fact of our modern era.
“D&ko en €co”, between loops and hypnotic spirals, this closed universe, moved by a strange serpentine energy, oscillates between two and three dimensions, as well as a few constantly repeated commercial gestures.
Its occupants, mannequins-displays accompanied by their silly pig-piggy bank, evolve there to the rhythm of the wheel of fortune and their misfortunes.
When night comes, they sometimes speculate in their melancholy dreams on the idea of bartering their purchasing power for some magical powers (and other working fetishes), to finally leave this “trime-life” at all costs.