-
Cristina Mirabilis
Academy of Fine Arts of Catane
137-139 En Féronstrée
-
SpringMerz
Marion Voegelé
31a Rue de la Cathédrale
-
Wafel de Liège
Jannes Lambrecht & Mirthe Vermunicht
100 Rue Saint-Gilles
-
Signing To A Spitting Image
Rémie Vanderhaegen
6 Rue Gérardrie
-
A Fragile Relationship In A Sturdy Façade
Jeannette Slütter
11 Rue de Bex
-
Chambre, vue
Pierre-Alain Poirier
14 Rue de la Sirène
-
Midnight Leaves
Bettina Marx
28-30 Boulevard d'Avroy
-
Gravats
Lucile Marsaux & Théo Philippot
107 En Féronstrée
-
Ambient, Aberrant
Sonia Mangiapane
7b Rue des Carmes
-
Avis de tempête
Camille Lemille
159 En Féronstrée
-
An Enchanted Break
Cristina Lavosi
9 Rue de la Violette
-
Du béton du métal dont sont faites vos parois
Anaïs Lapel
1 En Féronstrée
-
Cathédrale
Axel Janssen
16 Rue du Palais
-
Always Stuff, Four Blue Office Chairs
Gilles Hellemans
32 Rue de la Régence
-
Figure
Bruce Formanoie
100 Rue de la Cathédrale
-
Étendue 02
Elisa Florimond
85 Rue de la Cathédrale
-
L’été sera brûlant
Sarah Feuillas
3 Rue de la Cathédrale
-
No, no ! Only as fast as possible without stress
Jan Duerinck
44 Rue Saint-Gilles
-
Carpeaux
Patrick Corillon
25 Rue Saint Paul
-
Traveling Tales
Tamuna Chabashvili
40 Rue Hors-Château
-
Double exposition
Bertrand Cavalier & Fabien Silvestre Suzor
31b Rue de la Cathédrale
-
WELCOMCOM
Ondine Bertin
4 Rue de la Cathédrale
-
Leakage
Yasmina Assbane
5 Rue Chéravoie
-
Onsite Website : The Official Emoji Shop
Éloïse Alliguié
29 Rue de l'Université
Warning: Undefined array key "current_expo" in /var/www/clients/client3/web4/web/wp-content/themes/artaucentre/loop/vitrine.php on line 25

Sh :ow d’hier
#10
Elsa Fauconnet & Antoine Liebaert
Artists selected as part of the open call
2364 Rue de la Cathédrale
Sh:ow D’hier, a store fantasized by Elsa Fauconnet and Antoine Liebaert, offers to see an absurd best of souvenir objects from their previous artistic projects (solo and duo), here stocked in a “baz’art” mode.
Placed under glass, they are exhibited to strollers like products adrift, using the chaotic and poetic codes of these e-shops that are now doomed to disappear from public spaces.
The window unfolds a landscape in the form of an “idiorama”, in which poetic artefacts confront the domestication of forms, a notable fact of our modern era.
“D&ko en €co”, between loops and hypnotic spirals, this closed universe, moved by a strange serpentine energy, oscillates between two and three dimensions, as well as a few constantly repeated commercial gestures.
Its occupants, mannequins-displays accompanied by their silly pig-piggy bank, evolve there to the rhythm of the wheel of fortune and their misfortunes.
When night comes, they sometimes speculate in their melancholy dreams on the idea of bartering their purchasing power for some magical powers (and other working fetishes), to finally leave this “trime-life” at all costs.