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The price is worth it
Acher
Boulevard d'Avroy 28-30
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TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
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V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
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Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
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La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
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Cityscape
Sarah Lauwers
29 Rue de l'Université
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Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Vapeurs
Eva Mancuso
5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Actions !
Maxence Mathieu
56 Rue Saint-Gilles
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On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
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Travel Local, Buy Local
Oya
107 Féronstrée
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Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
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22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
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Chronique florale
Ionut Popa
101 Féronstrée
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The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
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Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
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Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
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Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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Sh :ow d’hier
#10
Elsa Fauconnet & Antoine Liebaert
Artists selected as part of the open call
2364 Rue de la Cathédrale
Sh:ow D’hier, a store fantasized by Elsa Fauconnet and Antoine Liebaert, offers to see an absurd best of souvenir objects from their previous artistic projects (solo and duo), here stocked in a “baz’art” mode.
Placed under glass, they are exhibited to strollers like products adrift, using the chaotic and poetic codes of these e-shops that are now doomed to disappear from public spaces.
The window unfolds a landscape in the form of an “idiorama”, in which poetic artefacts confront the domestication of forms, a notable fact of our modern era.
“D&ko en €co”, between loops and hypnotic spirals, this closed universe, moved by a strange serpentine energy, oscillates between two and three dimensions, as well as a few constantly repeated commercial gestures.
Its occupants, mannequins-displays accompanied by their silly pig-piggy bank, evolve there to the rhythm of the wheel of fortune and their misfortunes.
When night comes, they sometimes speculate in their melancholy dreams on the idea of bartering their purchasing power for some magical powers (and other working fetishes), to finally leave this “trime-life” at all costs.