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AVENIR MARKET
Niels Vraun
11 Rue de Bex
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Poétique du silence
Hadrien Loumaye
40 Rue Hors-Château
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Tout est lié
Vered Ben-Kiki
137 En Féronstrée
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24h/24 7j/7
Benoit Jacquemin
9 Passage Lemonnier
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Stuwland
Lola Daels & Sebastiaan Willemen
85 Rue de la Cathédrale
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Same again (A sign from Cyndi)
Mark Melvin
25 Rue Saint Paul
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LES INDÉSIRABLES
Olivier Bémer
5 Rue Joffre
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Notifications
Flaviu Cacoveanu
5 Place des Déportés
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Mauvaises graines
Julie Gaubert
1 En Féronstrée
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Machine chromatique
Jean-Paul Gaucher
31a Rue de la Cathédrale
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IN ICTV OCVLI
Thierry Hanse
75 Rue Hors-Château
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Fermé aujourd’hui
Petra Herzog
16 Rue du Palais
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ASSYRIANS
Romane Iskaria
7 Rue des Carmes
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What is night ?
Alicia Kremser
28 Boulevard d'Avroy, 4000 Liège, Belgique Liège
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Filon
Carole Louis
159 En Féronstrée
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Espace ver{t}s
Les Rayons
5 Rue Chéravoie
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Pédilum
Brieuc Maire
52 En Féronstrée
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Brighten up your day with the loving mediator
Lauralie Naumann
100 Rue Saint-Gilles
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Plafond
Camille Bleker & Luna Pittau
44 Rue Saint-Gilles
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CYBER KIDS
Pol-Edouard
14 Rue de la Sirène
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Respirer des heures bleues
Alice Quentel
4 Rue de la Cathédrale
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WILL YOU MISS ME WHEN IM GONE
Nina Robert
129 Rue Saint-Gilles
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Barrotes
Jesse Siegel
29 Rue de l'Université
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Tabula Lapsa, Natura Rasa… La Peau d’une fleur
Cléo Totti
2 Rue de la Boucherie
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Peach Tree, Ambiguous
Anouk van Klaveren
Passage Lemonnier 33-35
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Labo#Light installation
Jan Wittoeck
31b Rue de la Cathédrale
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Students l’ESA Saint-Luc Liège Master 1 "Communication v...
107 En Féronstrée

Sh :ow d’hier
#10
Elsa Fauconnet & Antoine Liebaert
Artists selected as part of the open call
2364 Rue de la Cathédrale
Sh:ow D’hier, a store fantasized by Elsa Fauconnet and Antoine Liebaert, offers to see an absurd best of souvenir objects from their previous artistic projects (solo and duo), here stocked in a “baz’art” mode.
Placed under glass, they are exhibited to strollers like products adrift, using the chaotic and poetic codes of these e-shops that are now doomed to disappear from public spaces.
The window unfolds a landscape in the form of an “idiorama”, in which poetic artefacts confront the domestication of forms, a notable fact of our modern era.
“D&ko en €co”, between loops and hypnotic spirals, this closed universe, moved by a strange serpentine energy, oscillates between two and three dimensions, as well as a few constantly repeated commercial gestures.
Its occupants, mannequins-displays accompanied by their silly pig-piggy bank, evolve there to the rhythm of the wheel of fortune and their misfortunes.
When night comes, they sometimes speculate in their melancholy dreams on the idea of bartering their purchasing power for some magical powers (and other working fetishes), to finally leave this “trime-life” at all costs.