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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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RÉFLÉCHISSEZ POUR MOI, JE RÉFLÉCHIRAI POUR VOUS
#4
Justine Court
Curator : Marine Candova
7448 Rue de la Cathédrale
Justine Court creates an autofiction world in which the objects turn into actors with their own personalities. Without their soft tints, shining enamels, details and erratic shapes, they would be only functional objects – pots, plates, vases, candlesticks – but appearances can be deceptive : each sculpture comes alive in this dark fairy tale that Justine Court creates. The depths of human imagination find refuge in great feelings such as melancholy, fragility and pride – emotions closely linked to the body. The open throats, fleshy lips, sensual coves covered with jewels reveal their vacuity and exhibitionist nature. Justine Court tries to establish a dismissed case, a suggested environment that appears out of time. To this end, she sketches and draws her inspiration from cinematic images tinged with a dark romanticism proper to Jean Cocteau and Dario Argento among others.
Réfléchissez pour moi, je réfléchirai pour vous floats in a bath of nostalgia in which anthropomorphic and domestic merge in the ceramic, the glass or the metals. The recurrent element of the mirror is the ultimate symbol of Vanitas and privacy. The mirror is mediator : we imagine seeing ourselves but in fact we face a significant lack of perception of oneself.