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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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Uhoda Collection
#13
Patrick Corillon
Artworks from the Uhoda Collection
30725 Rue Saint Paul
Carpeaux
Patrick Corillon’s words are ex-votos that he places at the feet of artists (belonging to the field of painting, sculpture or literature) in gratitude for drawing inspiration from their works. He thus makes these artists do things that never really existed but help to embellish their legend.
Electric wires, which are usually hidden, here appear in broad daylight to clearly affirm that the first energy that illuminates and rewarms our daily lives comes from those who open our imagination with their artworks.
J.-B. Carpeaux (Valenciennes, 1827 – Courbevoie, 1875) erected a “Saint Francis whispering to birds” in Carrara marble. Every week, he used to place a small bag of seeds on the palms of the statue’s outstretched hands.
On the day of Carpeaux’s death, the saint’s forearms fell down, eaten away by birds droppings.
Chapeau Melon
René Magritte, one of the best-known surrealist painters, will try to demonstrate that we only glimpse the mystery of reality if we leave our usual and routine logic. His artworks often play on the discrepancy between an object and its representation.