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Cristina Mirabilis
Academy of Fine Arts of Catane
137-139 En Féronstrée
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SpringMerz
Marion Voegelé
31a Rue de la Cathédrale
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Wafel de Liège
Jannes Lambrecht & Mirthe Vermunicht
100 Rue Saint-Gilles
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Signing To A Spitting Image
Rémie Vanderhaegen
6 Rue Gérardrie
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A Fragile Relationship In A Sturdy Façade
Jeannette Slütter
11 Rue de Bex
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Chambre, vue
Pierre-Alain Poirier
14 Rue de la Sirène
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Midnight Leaves
Bettina Marx
28-30 Boulevard d'Avroy
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Gravats
Lucile Marsaux & Théo Philippot
107 En Féronstrée
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Ambient, Aberrant
Sonia Mangiapane
7b Rue des Carmes
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Avis de tempête
Camille Lemille
159 En Féronstrée
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An Enchanted Break
Cristina Lavosi
9 Rue de la Violette
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Du béton du métal dont sont faites vos parois
Anaïs Lapel
1 En Féronstrée
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Cathédrale
Axel Janssen
16 Rue du Palais
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Always Stuff, Four Blue Office Chairs
Gilles Hellemans
32 Rue de la Régence
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Figure
Bruce Formanoie
100 Rue de la Cathédrale
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Étendue 02
Elisa Florimond
85 Rue de la Cathédrale
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L’été sera brûlant
Sarah Feuillas
3 Rue de la Cathédrale
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No, no ! Only as fast as possible without stress
Jan Duerinck
44 Rue Saint-Gilles
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Carpeaux
Patrick Corillon
25 Rue Saint Paul
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Traveling Tales
Tamuna Chabashvili
40 Rue Hors-Château
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Double exposition
Bertrand Cavalier & Fabien Silvestre Suzor
31b Rue de la Cathédrale
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WELCOMCOM
Ondine Bertin
4 Rue de la Cathédrale
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Leakage
Yasmina Assbane
5 Rue Chéravoie
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Onsite Website : The Official Emoji Shop
Éloïse Alliguié
29 Rue de l'Université
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Traveling Tales
#13
Tamuna Chabashvili
Curator: Geoffrey Schoefs
30640 Rue Hors-Château
Tamuna Chabashvili’s personal practice centers around the theme of archives and traces. Integrating personal stories, memories and questions into visual and tactile narratives is her own way of interpreting and questioning the legacy of the past and finding ways thanks to which “counter-memories” or “counter-stories” can embody the space of silence.
Each new project is an opportunity for the artist to work closely with vulnerable groups who very often remain under-represented or neglected. Textile proves to be the ideal space to recount these personal and collective stories that metamorphose into deliberately simple signs on the fibers. The distillation of these stories, rather than their accumulation, has only one purpose: the pursuit of the essence.
Based in Tbilisi and Amsterdam, Tamuna Chabashvili carried out her very first research project on gender-based violence against women in Georgia (Supra of Her Own) with anthropologist Agnieszka Dudrak in 2014. In 2018, her work The Book of Patterns (exhibited at the europalia georgia festival from October 14 to December 16 at Les Drapiers in Liège), focused on representations of women’s daily lives and was part of the Biennial of Contemporary Textile Art in Portugal. In 2019, she presented another project around historical archives at “The Corridors of Conflict. Abkhazia 1989-1995”, an exhibition organized by the International Committee of the Red Cross in Georgia.