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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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Traveling Tales
#13
Tamuna Chabashvili
Curator: Geoffrey Schoefs
30640 Rue Hors-Château
Tamuna Chabashvili’s personal practice centers around the theme of archives and traces. Integrating personal stories, memories and questions into visual and tactile narratives is her own way of interpreting and questioning the legacy of the past and finding ways thanks to which “counter-memories” or “counter-stories” can embody the space of silence.
Each new project is an opportunity for the artist to work closely with vulnerable groups who very often remain under-represented or neglected. Textile proves to be the ideal space to recount these personal and collective stories that metamorphose into deliberately simple signs on the fibers. The distillation of these stories, rather than their accumulation, has only one purpose: the pursuit of the essence.
Based in Tbilisi and Amsterdam, Tamuna Chabashvili carried out her very first research project on gender-based violence against women in Georgia (Supra of Her Own) with anthropologist Agnieszka Dudrak in 2014. In 2018, her work The Book of Patterns (exhibited at the europalia georgia festival from October 14 to December 16 at Les Drapiers in Liège), focused on representations of women’s daily lives and was part of the Biennial of Contemporary Textile Art in Portugal. In 2019, she presented another project around historical archives at “The Corridors of Conflict. Abkhazia 1989-1995”, an exhibition organized by the International Committee of the Red Cross in Georgia.