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The price is worth it
Acher
Boulevard d'Avroy 28-30
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TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
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V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
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Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
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La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
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Cityscape
Sarah Lauwers
29 Rue de l'Université
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Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Vapeurs
Eva Mancuso
5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Actions !
Maxence Mathieu
56 Rue Saint-Gilles
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On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
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Travel Local, Buy Local
Oya
107 Féronstrée
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Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
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22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
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Chronique florale
Ionut Popa
101 Féronstrée
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The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
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Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
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Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
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Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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Traveling Tales
#13
Tamuna Chabashvili
Curator: Geoffrey Schoefs
30640 Rue Hors-Château
Tamuna Chabashvili’s personal practice centers around the theme of archives and traces. Integrating personal stories, memories and questions into visual and tactile narratives is her own way of interpreting and questioning the legacy of the past and finding ways thanks to which “counter-memories” or “counter-stories” can embody the space of silence.
Each new project is an opportunity for the artist to work closely with vulnerable groups who very often remain under-represented or neglected. Textile proves to be the ideal space to recount these personal and collective stories that metamorphose into deliberately simple signs on the fibers. The distillation of these stories, rather than their accumulation, has only one purpose: the pursuit of the essence.
Based in Tbilisi and Amsterdam, Tamuna Chabashvili carried out her very first research project on gender-based violence against women in Georgia (Supra of Her Own) with anthropologist Agnieszka Dudrak in 2014. In 2018, her work The Book of Patterns (exhibited at the europalia georgia festival from October 14 to December 16 at Les Drapiers in Liège), focused on representations of women’s daily lives and was part of the Biennial of Contemporary Textile Art in Portugal. In 2019, she presented another project around historical archives at “The Corridors of Conflict. Abkhazia 1989-1995”, an exhibition organized by the International Committee of the Red Cross in Georgia.