-
Around The Corner
Zena Van den Block
35 Rue Souverain Pont
-
VMC gargouilles
Thomas Sindicas
31b Rue de la Cathédrale
-
Kodomo No Kuni
Mey Semtati
18 Rue de l'Etuve
-
The Faces Collection
Anna Safiatou Touré
16 Rue du Palais
-
QuickSnap
Camille Poitevin
40 Rue Hors-Château
-
P.O.F
Ronan Marret
75 Rue Hors-Château
-
Belles récompenses
Mathilde Manka
159 Féronstrée
-
Quatre Mains / Zonder Handen
Stephanie Lamoline
107 Féronstrée
-
Anatomie du vivant / Life
Sophie Keraudren-Hartenberger
98 Rue de la Cathédrale
-
À mon seul désir
Gral
32 Rue de la Cathédrale
-
Rain Bow
Guillaume Gouerou
4 Rue de la Cathédrale
-
Knock me !
Garage de Recherches Graphiques
85 Rue de la Cathédrale
-
Double Bind
Jane Denizeau & Pauline Flajolet
1 Féronstrée
-
Pie in the sky
Justine Corrijn
20 Rue de la Sirène
-
Parking Cathédrale
Elias Cafmeyer
31a Rue de la Cathédrale
-
Dés-Affectations
Elie Bolard
84 Féronstrée
-
Kader / Cadre
Doris Boerman
29 Rue de l'Université
-
Fatigue
Camille Bleker & Luna Pittau
3 Place des Déportés
-
Si tu me vois
Aurélie Belair
56 Rue Saint-Gilles
-
Terres battantes
Camille Barbet
100 Rue de la Cathédrale
-
The end–promise on packaging
Pharaz Azimi
23 Rue Saint-Michel
-
J’ai déclaré ma flamme
Artik
25 Rue Saint Paul
-
my belongings
Celine Aernoudt
5 Rue Chéravoie
Warning: Undefined array key "current_expo" in /var/www/clients/client3/web4/web/wp-content/themes/artaucentre/loop/vitrine.php on line 25

L’ÉTALE AUX OBJETS CANNÉS
#3
Lexi Dauw
Open call
4743 Rue Saint-Gilles
« My painting came off its support. It became independent, it turned into a sculpture, a bas-relief, an image and an object, from a rug to a trunk, a planter… The repetition of the motif was already omnipresent in my production and took on its full meaning when I fell in love with crafts and particularly with caning. This motif has been haunting me since then, it possesses countless resources. It enables the mise en abyme, the modification of the scale, the color schemes, the symmetry…
I primarily use acrylic paint applied with a piping bag on a non-adhesive surface, which enables me to remove it from its support and to use this material singularly and independently. This approach follows the same principle as a 3D printer with added workmanship. The repetition lies in the motif just as in the gesture, this obsessional repetition that gives rhythm to my daily life and echoes the daily life of the caning craftsman, who weaves his material unlike me. I thereby try to feign a truth, the truth of the image : caning is not real caning, the objects are not made to be used. They are images that try to highlight a disappearing profession. »