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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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Gravats
#13
Lucile Marsaux & Théo Philippot
Artists selected as part of the open call
318107 En Féronstrée
What if we put a whole life into a box. Two or three even.
Facing all that remains, we would try to organize chaos into a secure whole. We would methodically classify objects, clothes and books. We would look carefully at the content before closing each box, in an attempt to create a memory. We would note down some inscriptions on the rough cardboard. For later. We would then know where to look for a precise object, where to collect a specific memory.
Everything is ready.
We would build small towns in cellars and attics. Sets of buildings or subdivisions where we would all gather.
The same way we arrange a bookcase, we would stick one whole against another.
We would imagine secret and immobile conversations. Morse code conversations between the thin walls of the boxes.
Over time, new stories would surely emerge. We can’t tell the past without modifying some bits and pieces. What we had left far from our eyes would gradually take on a new rhythm. A new place to tell stories, far from the whirlwind, on the fringes of present times. These confabulations would yet only be the joyful proof that life still wanders somewhere in these deserted streets.
Last piece of tape.
Memories already wander and break through the walls in which they had been walled up. The memory resurfaces. Light.