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Cristina Mirabilis
Academy of Fine Arts of Catane
137-139 En Féronstrée
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SpringMerz
Marion Voegelé
31a Rue de la Cathédrale
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Wafel de Liège
Jannes Lambrecht & Mirthe Vermunicht
100 Rue Saint-Gilles
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Signing To A Spitting Image
Rémie Vanderhaegen
6 Rue Gérardrie
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A Fragile Relationship In A Sturdy Façade
Jeannette Slütter
11 Rue de Bex
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Chambre, vue
Pierre-Alain Poirier
14 Rue de la Sirène
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Midnight Leaves
Bettina Marx
28-30 Boulevard d'Avroy
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Gravats
Lucile Marsaux & Théo Philippot
107 En Féronstrée
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Ambient, Aberrant
Sonia Mangiapane
7b Rue des Carmes
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Avis de tempête
Camille Lemille
159 En Féronstrée
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An Enchanted Break
Cristina Lavosi
9 Rue de la Violette
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Du béton du métal dont sont faites vos parois
Anaïs Lapel
1 En Féronstrée
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Cathédrale
Axel Janssen
16 Rue du Palais
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Always Stuff, Four Blue Office Chairs
Gilles Hellemans
32 Rue de la Régence
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Figure
Bruce Formanoie
100 Rue de la Cathédrale
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Étendue 02
Elisa Florimond
85 Rue de la Cathédrale
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L’été sera brûlant
Sarah Feuillas
3 Rue de la Cathédrale
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No, no ! Only as fast as possible without stress
Jan Duerinck
44 Rue Saint-Gilles
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Carpeaux
Patrick Corillon
25 Rue Saint Paul
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Traveling Tales
Tamuna Chabashvili
40 Rue Hors-Château
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Double exposition
Bertrand Cavalier & Fabien Silvestre Suzor
31b Rue de la Cathédrale
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WELCOMCOM
Ondine Bertin
4 Rue de la Cathédrale
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Leakage
Yasmina Assbane
5 Rue Chéravoie
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Onsite Website : The Official Emoji Shop
Éloïse Alliguié
29 Rue de l'Université
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Midnight Leaves
#13
Bettina Marx
Curator: Marie-Claire Krell
31928-30 Boulevard d'Avroy
At night, eyes and hears paint their own landscape in blue, pink and purple shades. Bettina Marx captures these landscapes on fabrics, paper and wood, materials that form volumes but are nevertheless mobile. As a painter, she first moves across a surface, a surface on which she stacks up tiny elements. She paints abstract details that become denser and cover the entire surface. She discovers these fragments in the nocturnal landscape that surrounds her and transports them into the space through which the observers move. From abstract elements and surface details, autonomous vegetation emerges, a thicket of structures gets formed.
Bettina Marx accentuates the fragility of things and highlights the vulnerability of our world: in Midnight Leaves, fragility is the main subject. She knows how to poetically balance the minutiae of fragments to create a harmonious unity. In doing so, she is not only interested in the coherence of small elements in her pictorial installations but also in the broader interaction of all elements, whether concretely in the urban landscape or abstractly in our society. The work of the artist is an allegory of the connections and relationships that our world reflects in all its complexity and beauty.