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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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Midnight Leaves
#13
Bettina Marx
Curator: Marie-Claire Krell
31928-30 Boulevard d'Avroy
At night, eyes and hears paint their own landscape in blue, pink and purple shades. Bettina Marx captures these landscapes on fabrics, paper and wood, materials that form volumes but are nevertheless mobile. As a painter, she first moves across a surface, a surface on which she stacks up tiny elements. She paints abstract details that become denser and cover the entire surface. She discovers these fragments in the nocturnal landscape that surrounds her and transports them into the space through which the observers move. From abstract elements and surface details, autonomous vegetation emerges, a thicket of structures gets formed.
Bettina Marx accentuates the fragility of things and highlights the vulnerability of our world: in Midnight Leaves, fragility is the main subject. She knows how to poetically balance the minutiae of fragments to create a harmonious unity. In doing so, she is not only interested in the coherence of small elements in her pictorial installations but also in the broader interaction of all elements, whether concretely in the urban landscape or abstractly in our society. The work of the artist is an allegory of the connections and relationships that our world reflects in all its complexity and beauty.