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The price is worth it
Acher
Boulevard d'Avroy 28-30
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TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
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V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
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Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
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La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
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Cityscape
Sarah Lauwers
29 Rue de l'Université
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Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Vapeurs
Eva Mancuso
5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Actions !
Maxence Mathieu
56 Rue Saint-Gilles
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On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
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Travel Local, Buy Local
Oya
107 Féronstrée
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Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
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22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
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Chronique florale
Ionut Popa
101 Féronstrée
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The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
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Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
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Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
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Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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Gravats
#13
Lucile Marsaux & Théo Philippot
Artists selected as part of the open call
318107 En Féronstrée
What if we put a whole life into a box. Two or three even.
Facing all that remains, we would try to organize chaos into a secure whole. We would methodically classify objects, clothes and books. We would look carefully at the content before closing each box, in an attempt to create a memory. We would note down some inscriptions on the rough cardboard. For later. We would then know where to look for a precise object, where to collect a specific memory.
Everything is ready.
We would build small towns in cellars and attics. Sets of buildings or subdivisions where we would all gather.
The same way we arrange a bookcase, we would stick one whole against another.
We would imagine secret and immobile conversations. Morse code conversations between the thin walls of the boxes.
Over time, new stories would surely emerge. We can’t tell the past without modifying some bits and pieces. What we had left far from our eyes would gradually take on a new rhythm. A new place to tell stories, far from the whirlwind, on the fringes of present times. These confabulations would yet only be the joyful proof that life still wanders somewhere in these deserted streets.
Last piece of tape.
Memories already wander and break through the walls in which they had been walled up. The memory resurfaces. Light.