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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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Gravats
#13
Lucile Marsaux & Théo Philippot
Artists selected as part of the open call
318107 En Féronstrée
What if we put a whole life into a box. Two or three even.
Facing all that remains, we would try to organize chaos into a secure whole. We would methodically classify objects, clothes and books. We would look carefully at the content before closing each box, in an attempt to create a memory. We would note down some inscriptions on the rough cardboard. For later. We would then know where to look for a precise object, where to collect a specific memory.
Everything is ready.
We would build small towns in cellars and attics. Sets of buildings or subdivisions where we would all gather.
The same way we arrange a bookcase, we would stick one whole against another.
We would imagine secret and immobile conversations. Morse code conversations between the thin walls of the boxes.
Over time, new stories would surely emerge. We can’t tell the past without modifying some bits and pieces. What we had left far from our eyes would gradually take on a new rhythm. A new place to tell stories, far from the whirlwind, on the fringes of present times. These confabulations would yet only be the joyful proof that life still wanders somewhere in these deserted streets.
Last piece of tape.
Memories already wander and break through the walls in which they had been walled up. The memory resurfaces. Light.