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Cristina Mirabilis
Academy of Fine Arts of Catane
137-139 En Féronstrée
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SpringMerz
Marion Voegelé
31a Rue de la Cathédrale
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Wafel de Liège
Jannes Lambrecht & Mirthe Vermunicht
100 Rue Saint-Gilles
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Signing To A Spitting Image
Rémie Vanderhaegen
6 Rue Gérardrie
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A Fragile Relationship In A Sturdy Façade
Jeannette Slütter
11 Rue de Bex
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Chambre, vue
Pierre-Alain Poirier
14 Rue de la Sirène
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Midnight Leaves
Bettina Marx
28-30 Boulevard d'Avroy
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Gravats
Lucile Marsaux & Théo Philippot
107 En Féronstrée
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Ambient, Aberrant
Sonia Mangiapane
7b Rue des Carmes
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Avis de tempête
Camille Lemille
159 En Féronstrée
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An Enchanted Break
Cristina Lavosi
9 Rue de la Violette
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Du béton du métal dont sont faites vos parois
Anaïs Lapel
1 En Féronstrée
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Cathédrale
Axel Janssen
16 Rue du Palais
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Always Stuff, Four Blue Office Chairs
Gilles Hellemans
32 Rue de la Régence
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Figure
Bruce Formanoie
100 Rue de la Cathédrale
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Étendue 02
Elisa Florimond
85 Rue de la Cathédrale
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L’été sera brûlant
Sarah Feuillas
3 Rue de la Cathédrale
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No, no ! Only as fast as possible without stress
Jan Duerinck
44 Rue Saint-Gilles
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Carpeaux
Patrick Corillon
25 Rue Saint Paul
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Traveling Tales
Tamuna Chabashvili
40 Rue Hors-Château
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Double exposition
Bertrand Cavalier & Fabien Silvestre Suzor
31b Rue de la Cathédrale
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WELCOMCOM
Ondine Bertin
4 Rue de la Cathédrale
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Leakage
Yasmina Assbane
5 Rue Chéravoie
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Onsite Website : The Official Emoji Shop
Éloïse Alliguié
29 Rue de l'Université
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Gravats
#13
Lucile Marsaux & Théo Philippot
Artists selected as part of the open call
318107 En Féronstrée
What if we put a whole life into a box. Two or three even.
Facing all that remains, we would try to organize chaos into a secure whole. We would methodically classify objects, clothes and books. We would look carefully at the content before closing each box, in an attempt to create a memory. We would note down some inscriptions on the rough cardboard. For later. We would then know where to look for a precise object, where to collect a specific memory.
Everything is ready.
We would build small towns in cellars and attics. Sets of buildings or subdivisions where we would all gather.
The same way we arrange a bookcase, we would stick one whole against another.
We would imagine secret and immobile conversations. Morse code conversations between the thin walls of the boxes.
Over time, new stories would surely emerge. We can’t tell the past without modifying some bits and pieces. What we had left far from our eyes would gradually take on a new rhythm. A new place to tell stories, far from the whirlwind, on the fringes of present times. These confabulations would yet only be the joyful proof that life still wanders somewhere in these deserted streets.
Last piece of tape.
Memories already wander and break through the walls in which they had been walled up. The memory resurfaces. Light.