-
The price is worth it
Acher
Boulevard d'Avroy 28-30
-
TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
-
V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
-
Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
-
Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
-
La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
-
One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
-
Cityscape
Sarah Lauwers
29 Rue de l'Université
-
Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
-
Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
-
Vapeurs
Eva Mancuso
5 Rue Chéravoie
-
Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
-
Actions !
Maxence Mathieu
56 Rue Saint-Gilles
-
On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
-
Travel Local, Buy Local
Oya
107 Féronstrée
-
Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
-
22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
-
Chronique florale
Ionut Popa
101 Féronstrée
-
The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
-
Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
-
Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
-
Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
-
Je m’organise…
Leen Vandierendonck
159 Féronstrée
-
Wer rettet die Welt
Paul Waak
16 Rue du Palais
-
Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
-
Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
Warning: Undefined array key "current_expo" in /var/www/clients/client3/web4/web/wp-content/themes/artaucentre/loop/vitrine.php on line 25
Ambient, Aberrant
#13
Sonia Mangiapane
Curator : Arthur Cordier
3177b Rue des Carmes
Sonia Mangiapane is a photomedia artist working with processes defined primarily by their interaction with light, as opposed to the exclusive use of the camera. Employing a range of camera-based and cameraless methods her practice takes the form of photographic prints and hybrid works on paper. She explores concepts relating to travel, Nature and notions of photographic time. Sonia’s artistic interests are multi-layered; her approach discursive, process-oriented and experimental.
The colour darkroom is a core site of her practice. It’s a space in which she makes, rather than takes a photograph; pushing the boundaries of the photographic by undertaking conceptual and technical approaches which diverge from the photographic snapshot.
In the context of Art Au Centre, Sonia presents Ambient, Aberrant which calls into question the authenticity of the image, of Nature, of any mediated experience. It starts from the premise that the photographic gaze and the tourist gaze emerged at the same time (around 1840) and have been inextricably linked ever since. The landscape is a representation of the idea of nature; yet it is tamed, domesticated, managed. There is no nature here. The work speaks about the artifice of sightseeing, chasing the sublime, our relationship to Nature (or what we think it is). It comments on the way we experience places through our (phone) cameras.