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Cristina Mirabilis
Academy of Fine Arts of Catane
137-139 En Féronstrée
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SpringMerz
Marion Voegelé
31a Rue de la Cathédrale
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Wafel de Liège
Jannes Lambrecht & Mirthe Vermunicht
100 Rue Saint-Gilles
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Signing To A Spitting Image
Rémie Vanderhaegen
6 Rue Gérardrie
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A Fragile Relationship In A Sturdy Façade
Jeannette Slütter
11 Rue de Bex
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Chambre, vue
Pierre-Alain Poirier
14 Rue de la Sirène
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Midnight Leaves
Bettina Marx
28-30 Boulevard d'Avroy
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Gravats
Lucile Marsaux & Théo Philippot
107 En Féronstrée
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Ambient, Aberrant
Sonia Mangiapane
7b Rue des Carmes
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Avis de tempête
Camille Lemille
159 En Féronstrée
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An Enchanted Break
Cristina Lavosi
9 Rue de la Violette
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Du béton du métal dont sont faites vos parois
Anaïs Lapel
1 En Féronstrée
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Cathédrale
Axel Janssen
16 Rue du Palais
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Always Stuff, Four Blue Office Chairs
Gilles Hellemans
32 Rue de la Régence
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Figure
Bruce Formanoie
100 Rue de la Cathédrale
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Étendue 02
Elisa Florimond
85 Rue de la Cathédrale
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L’été sera brûlant
Sarah Feuillas
3 Rue de la Cathédrale
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No, no ! Only as fast as possible without stress
Jan Duerinck
44 Rue Saint-Gilles
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Carpeaux
Patrick Corillon
25 Rue Saint Paul
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Traveling Tales
Tamuna Chabashvili
40 Rue Hors-Château
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Double exposition
Bertrand Cavalier & Fabien Silvestre Suzor
31b Rue de la Cathédrale
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WELCOMCOM
Ondine Bertin
4 Rue de la Cathédrale
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Leakage
Yasmina Assbane
5 Rue Chéravoie
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Onsite Website : The Official Emoji Shop
Éloïse Alliguié
29 Rue de l'Université
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Avis de tempête
#13
Camille Lemille
Curator: Sophie Delhasse
316159 En Féronstrée
For Art au Centre, Camille Lemille carries out a project that started from encounters made this summer in Detroit (USA), a complex city that recovers slowly from economic and social bankruptcy and several crises. The artist questions a space in transition, that of cities and our habitats, urban centers metamorphosed into places of speculation, functional spaces, tight flows “and not places that we appropriate, where we stop, where we hang out, where we live”[1].
Camille Lemille combines texts and images, testimonies and preconceived ideas and brings a disturbance, an inner storm. It is a swirling gesture that interrupts the graphic and textual compositions of the screen prints on tiles. A storm that spreads beyond borders and brings to Liège another example of the failure of capitalism and industrialization and the very concrete consequences that this failure has on all citizens. Camille Lemille uses fragments of words and images to disturb the received testimonies and to test the elements of language that seem so familiar to us and yet totally inaudible. A collaboration with Detroit-based artist Paul Johnson emerged from her interactions with local artists. The collab takes the form of an animation that announces, through drawing and movement, the present and future precariousness within our living spaces.
Camille Lemille displays property ads in the window and shifts the cursor of investment and the commodification of housing towards its current crisis and its out-of-control evolution. The artist gives voice to shared experiences, establishes a picture of absurd, precarious or unlivable situations, like the reproducibility of the medium that exhausts its source until it disappears.
[1] Mona Chollet, Chez Soi, Une Odyssée de l’espace domestique, 2015, Editions de la Découverte, p. 66