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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 Rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
98 Rue de la Cathédrale
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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Avis de tempête
#13
Camille Lemille
Curator: Sophie Delhasse
316159 En Féronstrée
For Art au Centre, Camille Lemille carries out a project that started from encounters made this summer in Detroit (USA), a complex city that recovers slowly from economic and social bankruptcy and several crises. The artist questions a space in transition, that of cities and our habitats, urban centers metamorphosed into places of speculation, functional spaces, tight flows “and not places that we appropriate, where we stop, where we hang out, where we live”[1].
Camille Lemille combines texts and images, testimonies and preconceived ideas and brings a disturbance, an inner storm. It is a swirling gesture that interrupts the graphic and textual compositions of the screen prints on tiles. A storm that spreads beyond borders and brings to Liège another example of the failure of capitalism and industrialization and the very concrete consequences that this failure has on all citizens. Camille Lemille uses fragments of words and images to disturb the received testimonies and to test the elements of language that seem so familiar to us and yet totally inaudible. A collaboration with Detroit-based artist Paul Johnson emerged from her interactions with local artists. The collab takes the form of an animation that announces, through drawing and movement, the present and future precariousness within our living spaces.
Camille Lemille displays property ads in the window and shifts the cursor of investment and the commodification of housing towards its current crisis and its out-of-control evolution. The artist gives voice to shared experiences, establishes a picture of absurd, precarious or unlivable situations, like the reproducibility of the medium that exhausts its source until it disappears.
[1] Mona Chollet, Chez Soi, Une Odyssée de l’espace domestique, 2015, Editions de la Découverte, p. 66