-
The price is worth it
Acher
Boulevard d'Avroy 28-30
-
TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
-
V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
-
Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
-
Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
-
La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
-
One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
-
Cityscape
Sarah Lauwers
29 Rue de l'Université
-
Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
-
Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
-
Vapeurs
Eva Mancuso
5 Rue Chéravoie
-
Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
-
Actions !
Maxence Mathieu
56 Rue Saint-Gilles
-
On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
-
Travel Local, Buy Local
Oya
107 Féronstrée
-
Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
-
22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
-
Chronique florale
Ionut Popa
101 Féronstrée
-
The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
-
Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
-
Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
-
Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
-
Je m’organise…
Leen Vandierendonck
159 Féronstrée
-
Wer rettet die Welt
Paul Waak
16 Rue du Palais
-
Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
-
Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
Warning: Undefined array key "current_expo" in /var/www/clients/client3/web4/web/wp-content/themes/artaucentre/loop/vitrine.php on line 25
WHEN LIFE GIVES YOU LEMONS
#7
Wessel Baarda
Open call
147129 Rue Saint-Gilles
Wessel Baarda’s work features depictions of everyday life in strange, jarring settings. A body of work where situations are portrayed from an overwhelming and personal point of view, a narrative that finds its strength on the banality of life itself. The work aims to get at the question of how we can read and interpret the act of representation and consider how it may or may not function as a form of ‘authenticity’ and ‘truth’, and how to make sense of it when all these representations exist simultaneously with little hierarchy. By creating these autonomous realities that contain a permeating sense of unease, the viewer turns into a confronted voyeur. It is a way of critically interrogating everyday life in our visual culture by drawing the line between reality and fantasy, commerce, and autonomy through depictions of (unsettling) domestic scenes.
Sourcing surrealism, comic elements, and popular culture to then illustrate mental states, unconventional ideas, and mostly, elaborated fictional worlds. The shop window is a perfect representation of such an environment that makes you question ‘authenticity’ and ‘truth’ in a hyper-connected capitalist world. What happens when you use this public space with the goal of luring people in and instead create a more private and intimate relationship with the viewer ? By transforming the space into a domestic scene, the work tries to confront the viewer to contemplate our contemporary surreality, in which the limits between real life and fiction are as close to disappearing as ever. This is enabled by using different forms of media and techniques that leave their visible marks in the final work, revealing their source as well as leaving the nature of their creation up for discussion.