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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 Rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
98 Rue de la Cathédrale
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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AFFICHE_CVG_M1_V18_OK_BON_FINAL_VRAIMENT_LAST
#11
Students l’ESA Saint-Luc Liège Master 1 "Communication visuelle et graphique, design d’identités visuelles" 2022—23*
Artists selected as part of the open call
275107 En Féronstrée
Following the visit of the previous edition, the 18 students inthe firstyear of master’s degreein Visual and Graphic CommunicationfromESA Saint-Luc Liège decide to reactto the call forprojects forthe 11theditionof Art au Centreand tosign up forthis artistic and cultural event inthe city of their schoolandtheir studies. The desire to be represented there in theroleof graphicdesigner emerges. That function remainsso little known and yet omnipresent inmostof ourproductions and human activities.They create an installationthat representstheir daily work environment, a 3D transposition ofvariousiconographic elements and tools of the graphic design/er.
The endless and hypnotic download wheel.
The pipette, which enablesto extract and inoculate the styles and properties of any form of“vi(e)-sual”.
The color chart, color palette of the computer-assisted painter.
The cut lines, spotted for the pitiless guillotine of the printer.
Typography, Comics or not, Serif ornot, readable by ordinary mortals.
The folders, uncountable parents of the knotty tree structure of untraceable files, despite thenomenclature system.
The rectangle, where to insert the low-quality element that the sponsor is slow to send us.
The check pattern, moving and transparentbackground,at the rootof any project.