-
The price is worth it
Acher
Boulevard d'Avroy 28-30
-
TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
-
V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
-
Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
-
Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
-
La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
-
One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
-
Cityscape
Sarah Lauwers
29 Rue de l'Université
-
Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
-
Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
-
Vapeurs
Eva Mancuso
5 Rue Chéravoie
-
Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
-
Actions !
Maxence Mathieu
56 Rue Saint-Gilles
-
On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
-
Travel Local, Buy Local
Oya
107 Féronstrée
-
Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
-
22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
-
Chronique florale
Ionut Popa
101 Féronstrée
-
The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
-
Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
-
Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
-
Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
-
Je m’organise…
Leen Vandierendonck
159 Féronstrée
-
Wer rettet die Welt
Paul Waak
16 Rue du Palais
-
Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
-
Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
Warning: Undefined array key "current_expo" in /var/www/clients/client3/web4/web/wp-content/themes/artaucentre/loop/vitrine.php on line 25
AGONY
#1
Charlie Malgat
Curator : Sophie Delhasse
1117 Rue Gérardrie
Charlie Malgat’s œuvre has developed over the years around an obsession for the living : « that which moves, dances, convulses, modifies itself and then mutates so as to stay alive ». The human body is her land of experimentation : she studies, examines, dissects, and then revives it—directing choreographed organs and pieces of flesh that transcend towards an immersive, fictional universe sampled from humor and poetry, both sensual and trivial.
Alternating between video, multimedia installations, sculpture, sound, and drawing, each work metonymically deploys a part of the body in an independent system, driven by a vital energy which throbs and rumbles, summoning original feelings. The emancipation of these « feeling objects » is constituted by a to-and-fro game, that which is between interiority and exteriority : the object (i.e., stuffed sculptures) composed of foam and latex is literally « stuffed » with a matter ready to gush out.
Agony and the ensemble of Charlie Malgat’s work also questions our relationship to art and to its objects. The desire to breath life into, or to create, a living sculpture situates the artist in a lineage which had previously treated the body and the object as autonomous systems. This art designates the body as an object which, emancipated from all natural functions, can make way for the undetermined, the unruly, and the involuntary.
It is therefore in a non-subjective otherness and toward an emancipated other that the art of Charlie Malgat takes shape. Through the tribulations of her living objects, she encourages us to examine the often-intoxicated insides of systems that surround us, which fail and regenerate infinitely.