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The price is worth it
Acher
Boulevard d'Avroy 28-30
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TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
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V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
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Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
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La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
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Cityscape
Sarah Lauwers
29 Rue de l'Université
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Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Vapeurs
Eva Mancuso
5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Actions !
Maxence Mathieu
56 Rue Saint-Gilles
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On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
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Travel Local, Buy Local
Oya
107 Féronstrée
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Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
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22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
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Chronique florale
Ionut Popa
101 Féronstrée
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The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
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Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
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Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
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Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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Future Intimacies
#12
Tom Hallet
Curator : Pauline Salinas
28775 Rue Hors-Château
My artistic practice has always been fuelled by a quest for representation and recognition. As a youngster I used to do this primarily by trying to unearth ancient dynamics in my own psychological inheritance. I sow my existence to that of my ancestors, by dismantling grey areas and inconsistenties within my family’s narratives. For, if no one «like me» preceded me, how can I ever find proof of my own existence ? My work consists of drawing and sculpture. These two media engage in a continuous discourse with each other and the viewer, concerning queer themes and dominant narratives about love and identity, violence and loss. Because their titles have addressee they function as letters, dedicated to lovers, family members, queer icons, as well as their aggressors. They depict highly detailed, fantastical sceneries, sometimes abstract, sometimes figurative, wherein bodies are fused into dense nature.
Occasionally, flesh-like sculptures accompany the drawings, that, in their titles, bear the initials of victims of hate crimes, or are tributes to icons. These entities exist in various forms. Floor-based skin-like sculptures are filled with earth which allows for weeds to occasionally appear through the cracks, while some skins are tightly strung over metal constructions to create awnings for shelter.
Though there is horror in my work, it remains hopeful. The installation allows to reflect on the stories we tell ourselves regarding representation, social constructions and history. Within my oeuvre I introduce an inclusive narrative that questions the ways of thinking within our canonical history.