-
Cristina Mirabilis
Academy of Fine Arts of Catane
137-139 En Féronstrée
-
SpringMerz
Marion Voegelé
31a Rue de la Cathédrale
-
Wafel de Liège
Jannes Lambrecht & Mirthe Vermunicht
100 Rue Saint-Gilles
-
Signing To A Spitting Image
Rémie Vanderhaegen
6 Rue Gérardrie
-
A Fragile Relationship In A Sturdy Façade
Jeannette Slütter
11 Rue de Bex
-
Chambre, vue
Pierre-Alain Poirier
14 Rue de la Sirène
-
Midnight Leaves
Bettina Marx
28-30 Boulevard d'Avroy
-
Gravats
Lucile Marsaux & Théo Philippot
107 En Féronstrée
-
Ambient, Aberrant
Sonia Mangiapane
7b Rue des Carmes
-
Avis de tempête
Camille Lemille
159 En Féronstrée
-
An Enchanted Break
Cristina Lavosi
9 Rue de la Violette
-
Du béton du métal dont sont faites vos parois
Anaïs Lapel
1 En Féronstrée
-
Cathédrale
Axel Janssen
16 Rue du Palais
-
Always Stuff, Four Blue Office Chairs
Gilles Hellemans
32 Rue de la Régence
-
Figure
Bruce Formanoie
100 Rue de la Cathédrale
-
Étendue 02
Elisa Florimond
85 Rue de la Cathédrale
-
L’été sera brûlant
Sarah Feuillas
3 Rue de la Cathédrale
-
No, no ! Only as fast as possible without stress
Jan Duerinck
44 Rue Saint-Gilles
-
Carpeaux
Patrick Corillon
25 Rue Saint Paul
-
Traveling Tales
Tamuna Chabashvili
40 Rue Hors-Château
-
Double exposition
Bertrand Cavalier & Fabien Silvestre Suzor
31b Rue de la Cathédrale
-
WELCOMCOM
Ondine Bertin
4 Rue de la Cathédrale
-
Leakage
Yasmina Assbane
5 Rue Chéravoie
-
Onsite Website : The Official Emoji Shop
Éloïse Alliguié
29 Rue de l'Université
Warning: Undefined array key "current_expo" in /var/www/clients/client3/web4/web/wp-content/themes/artaucentre/loop/vitrine.php on line 25

La petite épicerie
#6
Priscilla Beccari
Open call
1244 Rue du Rêwe
Versatile artist Priscilla Beccari expresses herself through video, sculpture, installation, photography, performance, drawing and also music alongside Mono Siren, forming an electro disco funk experimental duo. In 2017, she represented the Pavilion of the Republic of San Marino at the Venice Biennale.
Priscilla Beccari’s work is slowly tamed, leafing through images, actions and shapes that all echo each other or are the premises of others. This perpetually mutating universe multiplies the stylistic splits and the registers, identifies itself at the crossroads of a predatory eroticism, an indignant feminism, a sense of absurd combined with a touch of fear. It makes a triumphant statement about domestic closures and animality, suitcase women and inanimate bodies, collapses and effronteries.
The drawing forms the epicenter of the practice but it should not be reduced to simply this. While the thickness of the strokes, the format or the treatment of the media overwhelm, the artworks on paper are only a small part of a much more extensive approach that, considered from every hard or light angle, systematically cultivates trouble, pain and strangeness.
We often think of the surrealism and bitter irony of Luis Buñuel’s last movies The Discreet Charm of the Bourgeoisie and even more The Phantom of Liberty : visible lightness, oddity put at the heart of the everyday life, symbolic bestiary, emergence of the flesh, ethereal presence of the death. More fundamentally maybe, the work comes within the scope of a tradition that, from Louise Bourgeois to Kiki Smith, has turned the body into a phantasmagoric and political medium.