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AVENIR MARKET
Niels Vraun
11 Rue de Bex
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Poétique du silence
Hadrien Loumaye
40 Rue Hors-Château
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Tout est lié
Vered Ben-Kiki
137 En Féronstrée
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24h/24 7j/7
Benoit Jacquemin
9 Passage Lemonnier
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Stuwland
Lola Daels & Sebastiaan Willemen
85 Rue de la Cathédrale
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Same again (A sign from Cyndi)
Mark Melvin
25 Rue Saint Paul
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LES INDÉSIRABLES
Olivier Bémer
5 Rue Joffre
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Notifications
Flaviu Cacoveanu
5 Place des Déportés
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Mauvaises graines
Julie Gaubert
1 En Féronstrée
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Machine chromatique
Jean-Paul Gaucher
31a Rue de la Cathédrale
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IN ICTV OCVLI
Thierry Hanse
75 Rue Hors-Château
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Fermé aujourd’hui
Petra Herzog
16 Rue du Palais
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ASSYRIANS
Romane Iskaria
7 Rue des Carmes
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What is night ?
Alicia Kremser
28 Boulevard d'Avroy, 4000 Liège, Belgique Liège
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Filon
Carole Louis
159 En Féronstrée
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Espace ver{t}s
Les Rayons
5 Rue Chéravoie
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Pédilum
Brieuc Maire
50 En Féronstrée
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Brighten up your day with the loving mediator
Lauralie Naumann
100 Rue Saint-Gilles
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Plafond
Camille Bleker & Luna Pittau
44 Rue Saint-Gilles
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CYBER KIDS
Pol-Edouard
14 Rue de la Sirène
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Respirer des heures bleues
Alice Quentel
4 Rue de la Cathédrale
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WILL YOU MISS ME WHEN IM GONE
Nina Robert
129 Rue Saint-Gilles
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Barrotes
Jesse Siegel
29 Rue de l'Université
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Tabula Lapsa, Natura Rasa… La Peau d’une fleur
Cléo Totti
2 Rue de la Boucherie
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Peach Tree, Ambiguous
Anouk van Klaveren
Passage Lemonnier 33-35
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Labo#Light installation
Jan Wittoeck
31b Rue de la Cathédrale
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AFFICHE_CVG_M1_V18_OK_BON_FINAL_VRAIMENT_LAST
Students l’ESA Saint-Luc Liège Master 1 "Communication v...
107 En Féronstrée

Pédilum
#11
Brieuc Maire
Artist selected as part of the open call
26450 En Féronstrée
My artistic practice mostly gravitates around painting and images. All the images I paint reflect my interest in connecting forms and interpretations. I always try to play with the different facets of a canvas and the hierarchy of the figures inside it without these figures featuring the evidence of human nature and without them being perfectly integrated into the environment which then oscillates between background sets and leading actor. I am usually interested in reflecting what is vague, indistinct, emerging or disappearing and subject to confusion or multiple interpretations.
The diorama thus appears as a device that enables to penetrate even more directly into these stakes since it is a matter of connecting the spectator to an atmosphere, a 3D reconstruction of a mysterious scene that I like to characterize as a “tragic farce”. Thanks to the simplicity of the components, I invite the observer to enter freely into the interpretation and to play with opposing ideas: the sacred nature of the painting is counterbalanced by the playful aspect of the diorama and the presence of this silicone base which is used to showcase the nail art in the window. Between burlesque and melancholy, macabre scene or schoolboy humor, no meaning is fixed, no moral is brought out. This diorama, just like my work in general, presents itself as a crossroads of meaning and stories.