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À la loupe
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7 Rue de l'Official
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Cloakroom
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37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
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40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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Bird of Paradise
#8
Alfonse, Paul et les autres
Open call
17431a Rue de la Cathédrale
The installation Bird of paradise shows a tangle of plants drawn and painted on cut wood, combined with potted plants on a background of wallpaper featuring a plant motif. Made from botanical plates from the 18th and 19th centuries, these representations are images of images. Alfonse, Paul et les autres offers a gestural treatment to these delicate drawings, born of the dialogue between artists and scientists, to alter their perception. The plants are reinterpreted in colored pencil and ink on different media on the scale of the window space. The controlled gesture makes room for a sharp line, drips and regrets. The artist draws inspiration from the immense corpus offered nowadays by digital platforms to freely associate drawings of plant species with no regard for classifications. Digital images feed an organic work process that aims to restore a material and sensual presence to images that are currently perceived mainly through screens.
Behind the seductive appearances of the exotic and luxuriant decoration appears a dull violence that gets revealed by the brutality of the treatment of the represented plants. The title, Bird of paradise, is that of the wallpaper which was bought at the supermarket and lines the wall at the back of the window. While many natural ecosystems are threatened with extinction, the artist thus makes a historical connection between a process of “rational” exploitation of nature, based on scientific knowledge, and the phenomenon of hyper consumption generated by neoliberal capitalism.

