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AVENIR MARKET
Niels Vraun
11 Rue de Bex
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Poétique du silence
Hadrien Loumaye
40 Rue Hors-Château
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Tout est lié
Vered Ben-Kiki
137 En Féronstrée
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24h/24 7j/7
Benoit Jacquemin
9 Passage Lemonnier
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Stuwland
Lola Daels & Sebastiaan Willemen
85 Rue de la Cathédrale
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Same again (A sign from Cyndi)
Mark Melvin
25 Rue Saint Paul
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LES INDÉSIRABLES
Olivier Bémer
5 Rue Joffre
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Notifications
Flaviu Cacoveanu
5 Place des Déportés
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Mauvaises graines
Julie Gaubert
1 En Féronstrée
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Machine chromatique
Jean-Paul Gaucher
31a Rue de la Cathédrale
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IN ICTV OCVLI
Thierry Hanse
75 Rue Hors-Château
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Fermé aujourd’hui
Petra Herzog
16 Rue du Palais
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ASSYRIANS
Romane Iskaria
7 Rue des Carmes
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What is night ?
Alicia Kremser
28 Boulevard d'Avroy, 4000 Liège, Belgique Liège
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Filon
Carole Louis
159 En Féronstrée
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Espace ver{t}s
Les Rayons
5 Rue Chéravoie
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Pédilum
Brieuc Maire
50 En Féronstrée
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Brighten up your day with the loving mediator
Lauralie Naumann
100 Rue Saint-Gilles
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Plafond
Camille Bleker & Luna Pittau
44 Rue Saint-Gilles
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CYBER KIDS
Pol-Edouard
14 Rue de la Sirène
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Respirer des heures bleues
Alice Quentel
4 Rue de la Cathédrale
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WILL YOU MISS ME WHEN IM GONE
Nina Robert
129 Rue Saint-Gilles
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Barrotes
Jesse Siegel
29 Rue de l'Université
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Tabula Lapsa, Natura Rasa… La Peau d’une fleur
Cléo Totti
2 Rue de la Boucherie
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Peach Tree, Ambiguous
Anouk van Klaveren
Passage Lemonnier 33-35
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Labo#Light installation
Jan Wittoeck
31b Rue de la Cathédrale
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AFFICHE_CVG_M1_V18_OK_BON_FINAL_VRAIMENT_LAST
Students l’ESA Saint-Luc Liège Master 1 "Communication v...
107 En Féronstrée

CYBER KIDS
#11
Pol-Edouard
Curator: Bertrand Léonard
26714 Rue de la Sirène
Amazons, cyborgs, trolls, barbarians, mutants, fighters, Latino gangs, invaders, wrestlers, riders, zombies, etc. Pol-Edouard obsessively recycles all the B (even Z) series imagery of his youth into testosterone-boosted drawings. Hypertrophied muscles ooze, omnipresent weapons shine, light sources explode from everywhere, the brawl is never far away.
Pol-Edouard develops outrageous visuals without ever falling into an outdated mannerism. He pushes the limits of bad taste to the max, between hand-painted posters of Ghana and interpretations that are both naive and hyper-mastered, while avoiding parody or frontal fan art. His work stands precisely in this in-between. A sincere and nostalgic rendition of pure American entertainment products, from fight and shotguns video games to badass action films, science fiction or heroic fantasy. But never devoid of second degree.
The ultra-referenced images of the 1980s and 1990s, and their fantasized and apocalyptic visions of the near future, resonate strangely with our era. Bodies, nature, architecture, and technology seem to be pushed to their limits, at the limit of the grotesque. The ironic discrepancy between these obsolete retro-futuristic worlds and ours may make you smile at first glance. We then realize that reality has surpassed fiction (or has fiction inspired reality?) on many levels and that the warrior metaphor remains more relevant than ever.