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The price is worth it
Acher
Boulevard d'Avroy 28-30
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TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
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V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
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Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
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La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
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Cityscape
Sarah Lauwers
29 Rue de l'Université
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Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Vapeurs
Eva Mancuso
5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Actions !
Maxence Mathieu
56 Rue Saint-Gilles
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On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
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Travel Local, Buy Local
Oya
107 Féronstrée
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Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
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22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
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Chronique florale
Ionut Popa
101 Féronstrée
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The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
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Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
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Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
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Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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CYBER KIDS
#11
Pol-Edouard
Curator: Bertrand Léonard
26714 Rue de la Sirène
Amazons, cyborgs, trolls, barbarians, mutants, fighters, Latino gangs, invaders, wrestlers, riders, zombies, etc. Pol-Edouard obsessively recycles all the B (even Z) series imagery of his youth into testosterone-boosted drawings. Hypertrophied muscles ooze, omnipresent weapons shine, light sources explode from everywhere, the brawl is never far away.
Pol-Edouard develops outrageous visuals without ever falling into an outdated mannerism. He pushes the limits of bad taste to the max, between hand-painted posters of Ghana and interpretations that are both naive and hyper-mastered, while avoiding parody or frontal fan art. His work stands precisely in this in-between. A sincere and nostalgic rendition of pure American entertainment products, from fight and shotguns video games to badass action films, science fiction or heroic fantasy. But never devoid of second degree.
The ultra-referenced images of the 1980s and 1990s, and their fantasized and apocalyptic visions of the near future, resonate strangely with our era. Bodies, nature, architecture, and technology seem to be pushed to their limits, at the limit of the grotesque. The ironic discrepancy between these obsolete retro-futuristic worlds and ours may make you smile at first glance. We then realize that reality has surpassed fiction (or has fiction inspired reality?) on many levels and that the warrior metaphor remains more relevant than ever.