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Around The Corner
Zena Van den Block
35 Rue Souverain Pont
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VMC gargouilles
Thomas Sindicas
31b Rue de la Cathédrale
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Kodomo No Kuni
Mey Semtati
18 Rue de l'Etuve
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The Faces Collection
Anna Safiatou Touré
16 Rue du Palais
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QuickSnap
Camille Poitevin
40 Rue Hors-Château
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P.O.F
Ronan Marret
75 Rue Hors-Château
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Belles récompenses
Mathilde Manka
159 Féronstrée
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Quatre Mains / Zonder Handen
Stephanie Lamoline
107 Féronstrée
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Anatomie du vivant / Life
Sophie Keraudren-Hartenberger
98 Rue de la Cathédrale
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À mon seul désir
Gral
32 Rue de la Cathédrale
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Rain Bow
Guillaume Gouerou
4 Rue de la Cathédrale
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Knock me !
Garage de Recherches Graphiques
85 Rue de la Cathédrale
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Double Bind
Jane Denizeau & Pauline Flajolet
1 Féronstrée
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Pie in the sky
Justine Corrijn
20 Rue de la Sirène
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Parking Cathédrale
Elias Cafmeyer
31a Rue de la Cathédrale
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Dés-Affectations
Elie Bolard
84 Féronstrée
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Kader / Cadre
Doris Boerman
29 Rue de l'Université
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Fatigue
Camille Bleker & Luna Pittau
3 Place des Déportés
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Si tu me vois
Aurélie Belair
56 Rue Saint-Gilles
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Terres battantes
Camille Barbet
100 Rue de la Cathédrale
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The end–promise on packaging
Pharaz Azimi
23 Rue Saint-Michel
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J’ai déclaré ma flamme
Artik
25 Rue Saint Paul
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my belongings
Celine Aernoudt
5 Rue Chéravoie
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Respirer des heures bleues
#11
Alice Quentel
Artist selected as part of the open call
2684 Rue de la Cathédrale
“I am in the great night dreams; because the now-already is night”
Clarice Lispector, Agua Viva, 1973.
I handle a haptic drawing in which day and night impressions merge and where ageless gestures mingle with industrial sprays, where photography gets drawn and drawing is photographed.
The airbrush is one of my favorite tools. It enables me to work in layers of colors like so many layers of light-dust that gradually create effects between dog and wolf, dawn and dusk.
Drawing with and through light, seeing and grasping or starting and stopping gestures are all processes by which drawing lives, evolves, and develops a view of reality in its fragility and poetic possibilities.
I am particularly interested in the imprint as it is created between two surfaces and a gesture.
Plants are one of my main areas of research. At the crossroads of ornamentation and politics, and washed away by a Western history of representation, they can unfold poetically by crystallizing stakes of erudition and observation.