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AVENIR MARKET
Niels Vraun
11 Rue de Bex
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Poétique du silence
Hadrien Loumaye
40 Rue Hors-Château
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Tout est lié
Vered Ben-Kiki
137 En Féronstrée
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24h/24 7j/7
Benoit Jacquemin
9 Passage Lemonnier
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Stuwland
Lola Daels & Sebastiaan Willemen
85 Rue de la Cathédrale
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Same again (A sign from Cyndi)
Mark Melvin
25 Rue Saint Paul
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LES INDÉSIRABLES
Olivier Bémer
5 Rue Joffre
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Notifications
Flaviu Cacoveanu
5 Place des Déportés
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Mauvaises graines
Julie Gaubert
1 En Féronstrée
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Machine chromatique
Jean-Paul Gaucher
31a Rue de la Cathédrale
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IN ICTV OCVLI
Thierry Hanse
75 Rue Hors-Château
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Fermé aujourd’hui
Petra Herzog
16 Rue du Palais
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ASSYRIANS
Romane Iskaria
7 Rue des Carmes
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What is night ?
Alicia Kremser
28 Boulevard d'Avroy, 4000 Liège, Belgique Liège
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Filon
Carole Louis
159 En Féronstrée
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Espace ver{t}s
Les Rayons
5 Rue Chéravoie
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Pédilum
Brieuc Maire
50 En Féronstrée
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Brighten up your day with the loving mediator
Lauralie Naumann
100 Rue Saint-Gilles
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Plafond
Camille Bleker & Luna Pittau
44 Rue Saint-Gilles
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CYBER KIDS
Pol-Edouard
14 Rue de la Sirène
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Respirer des heures bleues
Alice Quentel
4 Rue de la Cathédrale
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WILL YOU MISS ME WHEN IM GONE
Nina Robert
129 Rue Saint-Gilles
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Barrotes
Jesse Siegel
29 Rue de l'Université
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Tabula Lapsa, Natura Rasa… La Peau d’une fleur
Cléo Totti
2 Rue de la Boucherie
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Peach Tree, Ambiguous
Anouk van Klaveren
Passage Lemonnier 33-35
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Labo#Light installation
Jan Wittoeck
31b Rue de la Cathédrale
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AFFICHE_CVG_M1_V18_OK_BON_FINAL_VRAIMENT_LAST
Students l’ESA Saint-Luc Liège Master 1 "Communication v...
107 En Féronstrée

Respirer des heures bleues
#11
Alice Quentel
Artist selected as part of the open call
2684 Rue de la Cathédrale
“I am in the great night dreams; because the now-already is night”
Clarice Lispector, Agua Viva, 1973.
I handle a haptic drawing in which day and night impressions merge and where ageless gestures mingle with industrial sprays, where photography gets drawn and drawing is photographed.
The airbrush is one of my favorite tools. It enables me to work in layers of colors like so many layers of light-dust that gradually create effects between dog and wolf, dawn and dusk.
Drawing with and through light, seeing and grasping or starting and stopping gestures are all processes by which drawing lives, evolves, and develops a view of reality in its fragility and poetic possibilities.
I am particularly interested in the imprint as it is created between two surfaces and a gesture.
Plants are one of my main areas of research. At the crossroads of ornamentation and politics, and washed away by a Western history of representation, they can unfold poetically by crystallizing stakes of erudition and observation.